tag:blogger.com,1999:blog-80910642869350326152024-03-12T18:17:14.411-07:00MODIFICANDO LO REALBitácora de la Maestria: Escultura y Arte Digital en el Espacio FísicoJoaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-8091064286935032615.post-62682435342840667072015-08-04T07:49:00.003-07:002016-05-15T21:14:08.566-07:00Obra de Arte Programable<div dir="ltr" style="text-align: left;" trbidi="on">
<div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF1cHkfSBYhOfheP4frstuIssKaEGvjypKnOrkx8NzzCsQsSERJWM2Wx4-lSXrMLzKLsxVL1VWGhMlVsUlm8LUCjUOVrWg6IEnOPLbVZ_AqNX9S3obmsnSfKfR-ddeOmNh7Gmvk6shkKY/s1600/Joaquin_Diaz_Tesis_Maestria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF1cHkfSBYhOfheP4frstuIssKaEGvjypKnOrkx8NzzCsQsSERJWM2Wx4-lSXrMLzKLsxVL1VWGhMlVsUlm8LUCjUOVrWg6IEnOPLbVZ_AqNX9S3obmsnSfKfR-ddeOmNh7Gmvk6shkKY/s640/Joaquin_Diaz_Tesis_Maestria.jpg" width="640" /></a></div>
<br />
<br />
<br />
<span style="font-size: large;">I present to you the ending product about all the work realized during the development of my masters.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">This thesis is unusual between artists also engineers in the mexican environment.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">To be honest this is a work of art but with an interdisciplinary approach.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">I am proudly presenting to you "Programmable Art Work"</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;"><a href="https://drive.google.com/file/d/0B_MhXUbTbv_hTE44OGdYY0hGeFk/view?usp=sharing" target="_blank">https://drive.google.com/file/d/0B_MhXUbTbv_hTE44OGdYY0hGeFk/view?usp=sharing</a></span></div>
<div>
<br /></div>
<span style="font-size: large;"></span><br />
<div>
<span style="font-size: large;"><span style="font-size: large;">--</span></span></div>
<span style="font-size: large;">
Este es el resultado del proceso de trabajo realizado durante la maestría.</span><br />
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">Aquí esta una tesis que no es habital en el espacio artistico mexicano ni en la ingeniería.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">En realidad es una tesis de arte pero con una visión interdisciplinar.</span></div>
<div>
<span style="font-size: large;"><br /></span></div>
<div>
<span style="font-size: large;">Con mucho orgullo les presento a "Obra de Arte Programable"</span></div>
<div>
<br /></div>
<div>
<a href="https://drive.google.com/file/d/0B_MhXUbTbv_hTE44OGdYY0hGeFk/view?usp=sharing" target="_blank">https://drive.google.com/file/d/0B_MhXUbTbv_hTE44OGdYY0hGeFk/view?usp=sharing</a></div>
</div>
Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-33528468427190878452012-07-31T22:43:00.002-07:002012-07-31T22:45:14.397-07:00PROTOCOLO DE INVESTIGACIÓN<div dir="ltr" style="text-align: left;" trbidi="on">
<div align="CENTER" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: Calibri, serif; font-size: large; text-align: left;"><b><br />UNIVERSIDAD
NACIONAL AUTONOMA DE MÉXICO</b></span></div>
<div align="CENTER" style="margin-bottom: 0.35cm;">
<span style="font-family: Calibri, serif;"><span style="font-family: Calibri, serif;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>ESCUELA
NACIONAL DE ARTES PLÁSTICAS</b></span></span></span></div>
<div align="CENTER" style="margin-bottom: 0.35cm;">
<span style="font-family: Calibri, serif;"><span style="font-family: Calibri, serif;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>MAESTRIA
EN ARTES Y DISEÑO</b></span></span></span></div>
<div align="CENTER" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: Calibri, serif; font-size: large; text-align: left;"><b>PRESENTA:</b></span></div>
<div style="margin-bottom: 0.35cm; text-align: center;">
<b><span style="color: #f3f3f3; font-size: large;">
<span style="font-family: Calibri, serif;"><span style="font-family: Calibri, serif;"><span lang="es-ES">LIC.
EN ARTES VISUALES, JOAQUÍN ROBERTO DÍAZ DURÁN.</span></span></span></span></b></div>
<div align="CENTER" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>VIRTUALIS
PRESENTIA. ESTUDIO DE LOS EFECTOS DE LA VIRTUALIDAD EN EL MUNDO REAL.</b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>KEY
WORDS</b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Los
conceptos claves dentro de la investigación son: Realidad de la
virtualidad, Presencia, Interactividad, Arte electrónico,
Insurrección electrónica, Inteligencia artificial, Robótica,
Espacio, Corporalidad, Coding, Inteligencia humana aumentada y
simbiosis.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<b style="font-family: 'Liberation Mono', monospace; line-height: 150%; text-align: left;"><span style="color: #f3f3f3; font-size: large;"><br /></span></b></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<b style="font-family: 'Liberation Mono', monospace; line-height: 150%; text-align: left;"><span style="color: #f3f3f3; font-size: large;">RESUMEN</span></b></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">El
área de estudio de la investigación son los medios digitales, el
punto central de ella es la virtualidad. Día a día estamos mas
cerca de la virtualidad y esta cobra cada vez mayor importancia en
nuestras vidas, hasta el punto de convertirse en el sitio donde se
intercambia todo, dinero, sentimientos, imágenes, recuerdos y mas.
El foco de la investigación no es lo virtual dentro de las
computadoras por el contrario es lo virtual en el mundo físico. La
idea parte de pensar en la ausencia de personas queridas, como la
presencia de algo que no se puede ver pero si se puede sentir.
Creando ambientes interactivos, herramientas que que detecten en
forma poética la presencia invisible y autómatas que respondan a la
presencia de las personas es posible encarnar la virtualidad,
haciendo evidente la realidad de la virtualidad, como ejemplo de este
trabajo, hace unos meses construí una cámara estenopeica
(Phantasmata sonoris, 2011) que no utilizaba película, en cambio
esta utilizaba una placa cubierta con photo resistencias (LDR, Light
dependent resistance) que convertían la luz reflejada en el fondo de
la cámara en sonido, haciendo posible “escuchar la sombra del
interior”. La investigación abarca dos trabajos, el desarrollo de
la propuesta plástica y una revisión conceptual del concepto de
virtualidad.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span><br />
<b style="font-family: 'Liberation Mono', monospace; line-height: 150%; text-align: left;"><span style="color: #f3f3f3; font-size: large;">PLANTEAMIENTO
DEL PROBLEMA</span></b></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">La
propuesta está íntimamente vinculada con la producción
tridimensional y la percepción espacial, podemos decir que se parte
desde la escultura para llegar a un sitio que hoy en día tiene
demasiados nombres. La entrada a la percepción de la espacialidad
como un elemento fundamental en las obras de arte se vino abriendo
desde la primera mitad del siglo XX, Naum Gabo en su texto Escultura:
tallar y construir en el espacio de 1937 nos dice: “Nosotros
consideramos al espacio desde un punto de vista totalmente distinto.
Lo consideramos como un elemento escultórico absoluto, liberado de
todo volumen cerrado, y lo representamos desde su interior, con sus
propiedades específicas”. Este es el marco ideal para poder
hablar de la virtualidad y las marcas que va dejando tras de si.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Para
completar este marco se anexa el concepto de espacio que propone el
filósofo Xavier Zubiri en su texto Tiempo.Espacio.Materia: “Pero
no está dicho que la única manera de estar presente en el espacio,
de estar adscrito al espacio sea precisamente el ocuparlo. En la
vieja antropología se decía, por ejemplo que el alma está en todas
las partes del cuerpo. Lo cual quiere decir que no esta adscrita a
ninguna de ellas. Y, sin embargo, esta dentro de los límites
definitivos que constituyen la periferia del cuerpo humano. No es lo
mismo estar en el espacio que ocuparlo. Hay tal vez otras maneras de
estar adscrito al espacio que no son ocuparlo, y que no es tampoco
estar definido por el.” Este concepto de espacio nos permite pensar
que la virtualidad puede interactuar en nuestro mundo si una
existencia completa.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">El
concepto de virtualidad con el que se trabajará es el manejado por
Pierre Levy, el cual define a esta como potencia o fuerza,
describiendo a la virtualidad como un estado de las cosas reales en
oposición no a la realidad sino a la actualidad. Lo virtual es real
en cuanto a potencia de serlo y solo hace falta la actualización de
esta realidad para que esta virtualidad se desarrolle. Una faceta en
la que se puede percibir como opera la virtualidad la propone el
filosofo Slavoj Zizek, comentando como la visión de un padre que
observa a su hijo ejerce una poderosa fuerza en su comportamiento,
cuya fuerza radica en que esa fuerza no es física.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Un
concepto que nos servirá para entender mejor donde se sitúa el tipo
de producción que pretende esta investigación es el de Postmedia.
Con este término José Luis Brea nos habla de un momento en el que
es posible intervenir en la esfera mediática desde dentro, con las
herramientas que ésta misma provee, porque en su misma difusión y
acceso los múltiples canales y herramientas mediáticas, en su
emergencia crearon un espacio abierto. Esto, asegura Brea, la
transformación profunda del espacio de las tecnologías de
distribución del conocimiento y las prácticas artísticas. Esta es
una gran contribución a este tipo de trabajo artístico en la medida
en que nosotros utilizamos y transformamos herramientas y aparatos
electrónicos que tienen fines utilitarios para crear objetos no
utilitarios que provoque fenómenos humanos.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;"><span lang="es-ES">Esta
investigación explorará las posibilidades artísticas de las
tecnologías digitales para hacer evidentes los efectos de las
presencias virtuales en mundo real. La investigación da continuidad
a mi línea de trabajo plástica en la cual he explorado el concepto
de im-presencia, que significa que algo que no esta aquí ahora,
puede ser percibido. El concepto de mi-presencia es muy cercano a la
palabra griega Phantasmata la cual es usada en el </span><span lang="es-ES"><i>Mito
de la caverna </i></span><span lang="es-ES">de
Platon, él usa phantasmata para referirse a las sombras reflejadas
en los muros de la caverna, las cuales son fantasmas de un mundo
entero afuera de la caverna, de esta forma phantasmata significa una
realidad incompleta, una sombra de la realidad. Este es el concepto
central de Virtualis Presentia, realidad fantasmal, la presencia sin
la cosa, el poder invisible que influencia nuestro comportamiento y
mas, y esta investigación artística explora funciona. </span></span>
</span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">La
investigación tiene dos componentes, teórico y práctico. Durante
cada periodo escolar, creare una serie de piezas en las que explorare
el fenómeno de realidad de la virtualidad, para concluir con el
desarrollo y exposición Virtualis Presentia. Se propone para la
propuesta final, conformar un equipo multidisciplinario que en
conjunto escojan la mejor forma de realizar el trabajo final.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">La
investigación teórica nutrirá el trabajo de producción aportando
claridad conceptual, al pensar de diferentes formas el problema de la
virtualidad, como interactua con el mundo, que lugares son
semipermeables, como podemos ver sus efectos en nosotros, o en los
espacio arquitectónicos, en nuestra conducta, estado de animo...
Esta idea se vuelve mas fuerte día tras día, ya que los limites
entre el mundo real y el virtual se van haciendo mas delgados cada
vez.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;"><span lang="es-ES">Para
ubicar donde se encuentra el problema de estudio, recurriré a la
división que hace Christiane Paul en su libro </span><span lang="es-ES"><i>Digital
Art</i></span><span lang="es-ES">:
Tecnologías digitales como herramienta, tecnologías digitales como
icono y tecnologías digitales como medio. </span></span>
</span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">La
investigación esta situada en esta ultima división como su campo de
estudio, pero no esta cerrada ya que la virtualidad es de echo uno de
los iconos de las tecnologías digitales.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span><br />
<b style="font-family: 'Liberation Mono', monospace; line-height: 150%; text-align: left;"><span style="color: #f3f3f3; font-size: large;">META
GENERAL</span></b></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Desarrollar
la propuesta artística Virtualis Presentia, que aborda el fenómeno
de la realidad de la virtualidad, utilizando como medio dispositivos
electrónicos y tecnologías digitales.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b><br /></b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>METAS
PARTICULARES</b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Realizar
bocetos en animación, audio experimental, video, modelado 3d,
prototipos electrónicos y dispositivos interactivos.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Investigar
los conceptos: Realidad de lo virtual, Autómatas, Presencia,
Inteligencia artificial, Vida artificial e Insurrección electrónica.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Realizar
una serie de entrevistas a creadores ubicados dentro del circuito del
arte electrónico.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Investigar
sobre las técnicas, materiales, métodos y dispositivos necesarios
en el arte digital.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Estudiar
y analizar obras clave dentro y fuera del mundo del arte que trabajen
con los conceptos centrales de la investigación.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Conformar
un equipo de trabajo multidisciplinario.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">-Producir
la obra Virtualis Presentia, conseguir y negociar el espacio de
exhibición.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span><br />
<b style="font-family: 'Liberation Mono', monospace; line-height: 150%; text-align: left;"><span style="color: #f3f3f3; font-size: large;">ANTECEDENTES
DEL PROBLEMA</span></b></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Desde
lo propuesto por Dada y los Constructivistas Rusos la idea de espacio
y materia ha cambiado transformando la escultura en diferentes formas
de expresión como: La Instalación, Ambientaciones, arte objeto e
inclusive el Happening. Otras cosa que hay que remarcar de los
Constructivistas es la estrecha relación entre arte e ingeniería
que manejaban.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">A
partir de 1970 con la emergencia de los llamados nuevos medios,
artistas, ingenieros y científicos llegaron a un cruce de caminos
explorando el infinito mundo de posibilidades que esa unión proveía,
como interactividad, inmersión, virtualidad, movimiento y la
critica implicada en estos dispositivos. La critica es mencionada por
que es imposible olvidar que esas maravillosas tecnologías tienen su
origen en la industria de la guerra, por otro lado esta tecnología
se ha diversificado con propósitos artísticos transformando su
carácter.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Aun
que estas obras en su mayoría empezaron su realización adheridos a
una pantalla o un plano de proyección, conforme aparecían nuevas
propuestas estas fueron abandonando el plano y fracturaron este
marco, algunos ejemplos son: 1994 el artista Jeffrey Shaw, con su
pieza Golden Calf, sitúa un vínculo, entre la escultura clásica y
la interacción con objetos virtuales, estableciendo un vinculo entre
realidad y virtualidad, la pieza estaba compuesta por un pedestal
blanco y una pantalla a color, la cual era el único medio para
visualizar el objeto sobre el pedestal.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Ciudad
de México año 2000, el artista Mexicano-Canadiense Rafael Lozano
Hemmer, que en sus palabras: “lleva el entorno multimedia a que
invada en el espacio real…”, realizó la pieza Vectorial
Elevation, la cual constaba de 18 reflectores robóticos que cruzaban
el cielo nocturno del Zócalo de la ciudad de México, mismos que
eran manejados desde un portal de acceso público, esta obra
posibilitaba el que un ciudadano de apie de cualquier parte del mundo
interviniera con su propia composición el cielo la ciudad de México.
La interacción entre las personas, el espacio público y la obra se
desarrollo en dos sentidos, las personas podían controlar la
maquinaria a través del sitio web en el que programaban una
secuencia de movimientos de los reflectores robóticos y en el Zócalo
la gente podía ver el movimiento de las luces.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES">Los
ejemplos anteriores muestran como la virtualidad puede interactuar
con el mundo real intercambiando realidades. En el 2005 el grupo
</span><span lang="es-ES"><i>Haque
design+research</i></span><span lang="es-ES">,
montan el proyecto </span><span lang="es-ES"><i>Haunt</i></span><span lang="es-ES">
en una habitación en la cual reproducen las condiciones de una casa
embrujada provocando en los visitantes la sensación de que había
algo, escuchaban cosas y demás sensaciones relacionadas con las
presencias fantasmales. Esas sensaciones eran provocadas
artificialmente mediante ondas de ultrasonido, campos magnéticos,
condiciones de luz y control de temperatura, haciendo que la gente
viera, escuchara y sintiera cosas en un cuarto vació. Ellos
transmitir sensaciones libremente a las personas sin necesidad de
ningún material tangible, ellos simplemente agregaban cosas al
sistema de percepción de la gente y ellos hacían el resto.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>PROPOSICIÓN</b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">A
través de la obra Virtualis Presentia se podrá evidenciar y así
comprender mejor la forma en que las Presencias Virtuales transgreden
la realidad.</span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b><br /></b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>ESTRATEGIAS
DE PRODUCCION Y PERSPECTIVA TEORICO METODOLÓGICA</b></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES"><b>Metodología.</b></span><span lang="es-ES">
La investigación práctica y teórica tiene de comienzo un carácter
exploratorio, para reflexionar sobre los conceptos y procedimientos
por lo que se realizan obras con tecnologías digitales, con miras a
llegar a ser explicativa en cuanto a la posibilidad de manejar la
virtualidad en el espacio real. La metodología que se aplicará a la
investigación es la “Investigación basada en artes” (Art-Based
Research, propuesta por Shaun McNiff).</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES"><b>Documentación.</b></span><span lang="es-ES">
Se hará una revisión de la literatura especializada que aborda los
conceptos centrales de la investigación. Se realizará una
documentación visual de los artistas y otros personajes que exploran
al rededor de la virtualidad o realizan obras con tecnologías
digitales.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES"><b>Experimentación.</b></span><span lang="es-ES">
Esta fase se divide en tres etapas: La primera, de acercamiento al
tema, la cual estará basada en explorar mediante bocetos en video,
instalación, fotografía, experimentación sonora, animación y
prototipado electrónico. En la segunda etapa se seleccionarán
algunos de los bocetos de la primera etapa para concretar las obras.
En la Tercera etapa el equipo multidisciplinario elegira la forma que
tomara Virtualis Presentia en la propuesta final tomando el cuenta el
espacio en el que se expondrá.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES"><b>Planeación.</b></span><span lang="es-ES">
Se formará un equipo multidisciplinario para la propuesta final, se
harán las gestiones necesarias para los espacios de exposición de
las obras, así como las estrategias de socialización.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;"><span lang="es-ES"><b>Edición
del documento.</b></span><span lang="es-ES">
Se terminara el texto que reunirá las distintas partes de la
investigación junto con la conclusión y evidencias.</span></span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span><br />
<span style="color: #f3f3f3; font-size: large;"><br /></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>ÍNDICE
TENTATIVO</b></span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">INTRODUCCIÓN</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">VIRTUALIS
PRESENTIA</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Automatas
interactivos</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;"><span lang="es-ES">El
quipo multidisciplinario </span></span>
</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Producción
de la obra</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">El
montaje</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Circuitos
en el arte electrónico</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Entrevistas</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
</div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Entrevista
a Arcángel Constantini</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Análisis
de la propuesta realizada</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Glosario
a</span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
</div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">EL
MUNDO CIEGO</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Presencia
de la ausencia, propuesta de partida</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Bocetos
– experimentación</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Animación</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Audio
experimental</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Electrónica
provocativa</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Comportamientos</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Virtualidad
real</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"> <span style="font-family: Liberation Mono, monospace;"><span lang="es-ES">Entrevistas</span></span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Martin
Bircher</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Glosario
b</span></span></div>
</li>
</ol>
</li>
</ol>
<ol start="3">
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">WALKING
THROUGH HELL, A PATH OF KNOWLEDGE</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Insurrección
electrónica: bending, hacking, low fi</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Ingeniería</span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Visión
computacional</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Robótica</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Coding</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Realidad
aumentada</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Inteligencia
artificial</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"> <span style="font-family: Liberation Mono, monospace;"><span lang="es-ES">Entrevistas</span></span></span></div>
<ol>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">José
Ramón Alcalá</span></span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Gilberto
Esparza</span></span></div>
</li>
</ol>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Glosario
c</span></span></div>
</li>
</ol>
</li>
</ol>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">CONCLUSIONES</span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">REFERENCIAS</span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-size: large;"><br /></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>CONTRIBUCIONES
DE LA INVESTIGACIÓN</b></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">La
investigación permite acercarnos de forma sensible a la virtualidad,
que día a día cobra mayor importancia en nuestra sociedad. La
virtualidad que al ser encarnada en un objeto o provocada por una
situación puede ser visualizada y entendida, en sus orígenes,
comportamientos y la forma en la que interactuamos con ella; se
contribuye a la formación del cuerpo teórico del arte digital, el
cual esta empezando a desarrollarse en México y puede servir de
punto de referencia para futuros estudios en el cruze de las artes y
la ingeniería.</span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Socialmente
aporta a la comprensión de este fenómeno como una continuación con
la escultura clasica y moderna aun tan presentes en nuestra vida.</span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b><br /></b></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;"><b>RECURSOS
MATERIALES Y TECNICOS DISPONIBLES</b></span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span lang="es-ES" style="color: #f3f3f3; font-size: large;">Dispongo
de un taller propio equipado con herramientas para escultura, equipo
digital y bibliografía especializada en arte. Tengo apoyo del Centro
Multimedia del CENART mediante su acervo bibliográfico y las
asesorías en tecnología que brindan.</span></span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<b style="font-family: 'Liberation Mono', monospace; text-align: left;"><span style="color: #f3f3f3; font-size: large;"><br /></span></b></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<b style="font-family: 'Liberation Mono', monospace; text-align: left;"><span style="color: #f3f3f3; font-size: large;">FUENTES
DE INVESTIGACIÓN</span></b></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large; text-align: left;"> </span></div>
<div align="JUSTIFY" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large; text-align: left;"> BIBLIOGRÁFICAS</span></div>
<ul>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;">
<span style="font-family: Liberation Mono, monospace;">Arteleku (ed). Ruido
y Capitalismo. España, audiolab, San Sebastián, 2008.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Ascott,
Roy (ed.), Engineering Nature, art and conciousness in the
Post-biological era, Inglaterra.,</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Intellect,
2006.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Banzi,
Massimo. Getting started whit Arduino. E.U.A, O´Reilly, 2011.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Bachelor,
David. Minimalismo. Hong Kong, Tate Gallery, 1997.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Benjamin
Walter, La obra de arte en la época de su reproductibilidad
técnica. México, Itaca press,2003.</span></div>
</li>
<li><div class="western" lang="en-US" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;"><span lang="es-MX">Bernard,
Korzeniewsky. Cybernetic Formulation of the Definition on Life.
Insitute of molecular biology. Jagiellonian Univerty, Kraków,
Polonia, 2000. </span></span><a href="http://www.idealibrary.com/"><span style="font-family: Liberation Mono, monospace;"><span lang="es-MX">www.Idealibrary.com</span></span></a><span style="font-family: Liberation Mono, monospace;"><span lang="es-MX">.</span></span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Borestein,
Greg. Making things see. Canada, O´Reilly, 2012.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Bourriaud,
Nicolas. Relational Aestetics. Argentina, Ariadna Hidalgo press.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Brea,
José Luis. La era post media; Acción comunicativa, practicas
(post)artística, y dispositivos</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">neomediales.
Edited on PDF, www.sindominio.net: 2002.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Brice,
Richard. Multimedia and virtual reality engineering. Boston, Newnes,
1997.</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Burdeau,
Grigore. Et al. Tecnologías de la realidad virtual. España,
Paidós, 1996.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Christian,
Paul. Digital Art. Singapur, Thames and Hudson, 2008.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">De
Oliviera, Nicolas. Installation art in the new millennium: the
empire of the senses. Singapur,</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Thames
and Hudson, 2003.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Didi-Huberman,
Georges. Ser cráneo: lugar, contacto, pensamiento, escultura.
Espain, Cuatron ediciones, 2009.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Ellegood,
Anne. Vitamin-3d. Inglaterra, Phaidon press, 2009.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Esquilo,
Prometeo encadenado. Pehuen press, 2001.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Fisher,
Jaime. El hombre y la técnica, Hacia una filosofía política de la
ciencia y la tecnología.</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">México,
Universidad Nacional Autonoma de México, 2010.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Flynn,
Tom. El cuerpo en la escultura. España, Akal press, 2002.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Gibson,
William. Neuromante. Barcelona, España, Minotauro, 1994.</span></div>
</li>
<li><div class="western" lang="en-US" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;"><span lang="es-MX">Gonzales
Carmen, Sonidos_de_protoboard, Tijuana, México, Protolab_movil,
2011. Descarga en: </span></span><a href="http://protolabmovil.cc/"><span style="font-family: Liberation Mono, monospace;"><span lang="es-MX">http://protolabmovil.cc</span></span></a></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Lynn,
Gale, et al. Fotografía digital. Mexico, Universidad Nacional
Autonoma de México, 2010.</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Giannachi,
Gabriella. Virtual theatres: an introduction. España, Routledge,
2004.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Giannetti,
Claudia. Media Culture. España, L ́Angelot, 1995.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Ars
telematica, Telecomunicación, internet y ciberespacio. España, L
́Angelot,1998. Estética Digital. Spain, L ́Angelot, 2002.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Igoe,
Tom. Making things talk. Canada, O ́Reilly, 2011.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Kalten,
R. A touché of code: Interactive installations and Experiences.
Gestalten: 2001.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Kaye,
Nick. Multi-media: video-installation-performance. Taylor y Francis,
2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Kaye,
Nick. Site-specific art: performance, place and documentation.
Routledge, 2000.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Krauss,
Rosalind. 200 Years of American Sculpture. New York, Whitney Museum
of American Art, 1976.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Krauss,
Rosalind. A voyage on the north sea; art in the age of the
post-medium condition. Italia, Thames and Hudson, 1999.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Krauss,
Rosalind. Pasajes de la escultura moderna. Madrid, España, Akal
2002.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Kumar
Saha, Subir. Introducción a la Robótica. México, McGraw-Hill,
2010.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Lévy,
Pierre. ¿Qué es lo virtual?. Argentina: Paidós, 1999.</span></div>
</li>
</ul>
<ul>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Maderuelo,
Javier. La idea del espacio en la arquitectura y el arte
contemporáneos. 1960-1989. España, Akal, 2008.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Maeda,
John. Creative Code: Aesthetics + Computation. Singapur, Thames and
Hudson.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Maldonado,
Tomas. Lo real y lo virtual. España, Gedisa, 1994.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Manovich,
Lev. El lenguaje de los nuevos medios de comunicación: la imagen en
la era digital. España, Paidós, 2005.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Marchan
Fiz, Simon. Real / Virtual en la estética y la teoría de las
artes. España, Paidos, 2006.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Matia
Martin, Paris. Conceptos fundamentales del lenguaje escultórico.
España, Akal, 2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Margolis,
Michael. Arduino Cookbook. E.U.A., O ́Reilly, 2011.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Michaud,
Yves. El arte en estado gaseoso. México: Fondo de Cultura
Económica, 2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Monk,
Simon. 30 Arduino projects for the evil genious. McGraw-Hill, 2010.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Moreno,
Cesar. Filosofía y realidad virtual. España, Universidad de
Zaragoza, 2008.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Naef,
Silvia, Las artes en el Islam: entre prohibición y figuración.
Université de Genève, 2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Paker,
Randall and Jordan Ken (ed.). Multimedia, From Wagner to virtual
reality. E.U.A., W.W. Norton and Company, 2001.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Parra
Marquez, Juan Carlos. Introducción práctica a la realidad virtual.
Santiago, Chile, Universidad del Bio-Vio, 2001.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Pearson,
Matt. Generative Art. E.U.A., Manning publications Co., 2011.</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ratnam
Niru, Art and Globalization, en Gill, Perry and Paul Wood (eds.),
Themes in Contemporary Art, New Haven, Yale University Press/The
Open University, 2004.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Raya
Cabrera, José Luis. Guía de campo máquinas virtuales. México:
Alfaomega Grupo Editor, 2010.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Rush,
Michael. New media in art. Singapur, Thames and hudson, 2005.</span></div>
<div class="western" style="margin-bottom: 0cm;">
</div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Simanowski,
Roberto. Digital art and meaning; Reading kinetic poetry, Text
machines, Mapping art and interactive installations. USA: University
of Minnesota Press, 2011.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Stamp,
Dave. Realidad virtual: creaciones y desarrollo. Madrid, España,
Anaya Multimedia, 1995.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Stallman
M. Richard, Software libre para una sociedad libre. Madrid,
Traficantes de sueños, 2004.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Stocker,
Gerfried, et al. Ars Electronica 1979-2009 the first 30 years. Ars
Electronica, 2010.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Tarkovsky
Andrey, Esculpir el Tiempo. México, UNAM, 2009</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Vidler,
Anthony. Et al. Anthony Gormley: blind light. USA: Hayward
Publishing, 2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Flisser,
Vilem. Hacia el universo de las imagenes técnicas. México,
Universidad Nacional Autonoma de México, 2011.</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Vince,
John. Introduction to virtual reality. London, Inglaterra, Springer
Verlag, 2004.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Wands,
Bruce. Art of the digital age. Singapure, Thames and Hudson, 2007.</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: Liberation Mono, monospace; font-size: large;">Wilson,
Stephen (ed.). Art + science now. China, Thames and hudson, 2010.</span></div>
</li>
<li><div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">ZUBIRI,
Xavier, Espacio. Tiempo. Materia. España, Alianza Editorial 1996.</span></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large;"><br /></span></div>
<div align="LEFT" style="margin-bottom: 0.35cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large;">DIGITALES</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;">
<span style="font-family: Liberation Mono, monospace;">Arduino
home page, Web. http://www.arduino.cc/, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="__DdeLink__2482_1695201534"></a>
<span style="font-family: Liberation Mono, monospace;">Ultima
visita: 09-12-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Arte
en Construcción. Web.
http://www.youtube.com/user/ArteEnConstruccion, Ultima visita:
15-02-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Benjamin
Stephens, Robotics Institute, Video.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">http://www.cs.cmu.edu/~bstephe1/,
Ultima visita: junio 2012.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">Biggar,
Web. http://www.sndrv.nl/biggar/, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 15-01-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Dominguez
Ricardo, Herramienta Transfronteriza para Inmigrantes, Web.
http://www.wokitoki.org/wk/440/herramienta-transfronteriza-para-inmigrantes,
Ultima visita: 01-12-2011.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
</div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">Klaus
Obermaier and Ars Electronica Futurelab, Aparition, Web.
http://www.exile.at/apparition/index.html, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 05-07-2012.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">Lev
Manovich, Web. http://manovich.net/, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 20-08-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Lozano
Hemmer Rafael, Apostasis, Web.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">http://www.lozano-hemmer.com/apostasis.php,
</span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 01-12-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Lozano
Hemmer Rafael, Flatsun, Web.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">http://www.lozano-hemmer.com/flatsun.php,
</span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 01-12-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">Marzo
José luis, Escamoteo, Text.
http://www.artemasciencia.unam.mx/texto.html, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 01-12-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">Processing.
Web. http://processing.org/, </span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ultima
visita: 15-01-2011.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Weyland
Industries, Time Line (2012), Web.
http://www.weylandindustries.com/timeline, Ultima visita:
01-02-2012.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large;"><br /></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-family: 'Liberation Mono', monospace; font-size: large;">VIDEO</span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Andy
Wachowski, Lana Wachowski (1999), The Matrix, Video, E.U.A., 136
min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;">
<span style="font-family: Liberation Mono, monospace;">Andy
Wachowski, Lana Wachowski (2003), The Matrix Reloaded, Video,
E.U.A., 138 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Andy
Wachowsky, Lana Wachowski (2003), The Matrix Revolutions, Video,
E.U.A., 129 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Kamijama,
Kenji, Ghost in the Shell: Stand Alone Complex, Production I.G.,
Japón, 2005, 160 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Peter
Chung, Andrew R. Jones et al., The Animatrix, E.U.A., 2003, 156 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Sophie
Fiennes (2006), The Pervert's Guide to Cinema, Video, E.U.A. 156
min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">McG
(2009), Terminator Salvation, video, E.U.A. 115 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ridley
Scott (1982), Blade Runner, Video, E.U.A., 117 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Ridley
Scott (2012), Prmetheus, Video, E.U.A., 124 min.</span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Zizek
Slavoj, 2004, The reality of the virtual.</span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="color: #f3f3f3; font-size: large;"><span style="font-family: Liberation Mono, monospace;">http://www.youtube.com/watch?v=CBKMfXy_aF8
</span>
</span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: Liberation Mono, monospace;"><span style="color: #f3f3f3; font-size: large;">Consulta:
01-12-2011.</span></span></div>
</li>
</ul>
</div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-4187491411703675162012-07-15T16:02:00.003-07:002012-07-15T16:23:45.397-07:00RESEARCH PROTOCOL<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="color: #f3f3f3;">
<style type="text/css">
<!--
@page { margin: 0.79in }
P { margin-bottom: 0.08in }
A.western:link { so-language: zxx }
A.ctl:link { so-language: zxx }
-->
</style>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: center;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>NATIONAL
AUTONOMOUS UNIVERSITY OF MEXICO</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: center;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>NATIONAL
SCHOOL OF PLASTIC ARTS</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: center;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>MASTER
DEGREE ON ARTS AND DESIGN</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><i><b>VIRTUALIS
PRESENTIA. STUDY ABOUT THE EFFECTS OF VIRTUALITY ON THE REAL WORLD</b></i></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>PRESENT</b></span><span lang="en-US"><b>ED</b></span><span lang="en-US"><b>
</b></span><span lang="en-US"><b>BY:</b></span><span lang="en-US"><b>
</b></span><span lang="en-US"><i><b>JOAQUIN</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>R.</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>DIAZ,</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>BACHELOR</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>ON</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>VISUAL</b></i></span><span lang="en-US"><i><b>
</b></i></span><span lang="en-US"><i><b>ARTS.</b></i></span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>CONCEPTUAL
KEYS </b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b> </b></span><span style="font-size: large;">
</span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: center;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">key</span><span lang="en-US">
</span><span lang="en-US">concepts</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">are:</span><span lang="en-US">
</span><i><span lang="en-US">Reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual,</span><span lang="en-US">
</span><span lang="en-US">Presence,</span><span lang="en-US">
</span><span lang="en-US">Interactiveness,</span><span lang="en-US">
</span><span lang="en-US">Electronic</span><span lang="en-US">
</span><span lang="en-US">art,</span><span lang="en-US">
</span><span lang="en-US">Electronic</span><span lang="en-US">
</span><span lang="en-US">insurrection,</span><span lang="en-US">
</span><span lang="en-US">AI,</span><span lang="en-US">
</span><span lang="en-US">Robotics,</span><span lang="en-US">
</span><span lang="en-US">Space,</span><span lang="en-US">
</span><span lang="en-US">Embodiment,</span><span lang="en-US">
</span><span lang="en-US">Coding,</span><span lang="en-US">
</span><span lang="en-US">Augmented</span><span lang="en-US">
</span><span lang="en-US">Human</span><span lang="en-US">
</span><span lang="en-US">Intellect</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">Symbiosis</span><span lang="en-US">.</span></i></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>ABSTRACT</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Digital</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">raw</span><span lang="en-US">
</span><span lang="en-US">field</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">theme,</span><span lang="en-US">
</span><span lang="en-US">day</span><span lang="en-US">
</span><span lang="en-US">after</span><span lang="en-US">
</span><span lang="en-US">day</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">are</span><span lang="en-US">
</span><span lang="en-US">closer</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">more</span><span lang="en-US">
</span><span lang="en-US">relevant</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">life,</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">point</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">becoming</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">place</span><span lang="en-US">
</span><span lang="en-US">where</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">interchange</span><span lang="en-US">
</span><span lang="en-US">everything,</span><span lang="en-US">
</span><span lang="en-US">money,</span><span lang="en-US">
</span><span lang="en-US">felling,</span><span lang="en-US">
</span><span lang="en-US">images,</span><span lang="en-US">
</span><span lang="en-US">memories</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">so</span><span lang="en-US">
</span><span lang="en-US">on.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">focus</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">inside</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">computer</span><span lang="en-US">
</span><span lang="en-US">quite</span><span lang="en-US">
</span><span lang="en-US">opposite,</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">physical</span><span lang="en-US">
</span><span lang="en-US">world.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">idea</span><span lang="en-US">
</span><span lang="en-US">started</span><span lang="en-US">
</span><span lang="en-US">thinking</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">absence</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">some</span><span lang="en-US">
</span><span lang="en-US">appreciated</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">presence</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">something</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">can´t</span><span lang="en-US">
</span><span lang="en-US">see,</span><span lang="en-US">
</span><span lang="en-US">but</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">can</span><span lang="en-US">
</span><span lang="en-US">fell.</span><span lang="en-US">
</span><span lang="en-US">Creating</span><span lang="en-US">
</span><span lang="en-US">interactive</span><span lang="en-US">
</span><span lang="en-US">environments,</span><span lang="en-US">
</span><span lang="en-US">tools</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">detect</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">poetic</span><span lang="en-US">
</span><span lang="en-US">form</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">invisible</span><span lang="en-US">
</span><span lang="en-US">presences</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">automatons</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">response</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">presence</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">people,</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">possible</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">embody</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality,</span><span lang="en-US">
</span><span lang="en-US">making</span><span lang="en-US">
</span><span lang="en-US">evident</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual,</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">example</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">few</span><span lang="en-US">
</span><span lang="en-US">months</span><span lang="en-US">
</span><span lang="en-US">ago</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">built</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">pinhole</span><span lang="en-US">
</span><span lang="en-US">camera</span><span lang="en-US">
</span><span lang="en-US">(Phantasmata</span><span lang="en-US">
</span><span lang="en-US">sonoris,</span><span lang="en-US">
</span><span lang="en-US">2011)</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">did</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">use</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">film,</span><span lang="en-US">
</span><span lang="en-US">instead</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">used</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">flat</span><span lang="en-US">
</span><span lang="en-US">cover</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">LDR</span><span lang="en-US">
</span><span lang="en-US">(light</span><span lang="en-US">
</span><span lang="en-US">dependent</span><span lang="en-US">
</span><span lang="en-US">resistance)</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">converted</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">image</span><span lang="en-US">
</span><span lang="en-US">reflected</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">bottom</span><span lang="en-US">
</span><span lang="en-US">wall</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">camera</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">sound,</span><span lang="en-US">
</span><span lang="en-US">making</span><span lang="en-US">
</span><span lang="en-US">possible</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
“</span><span lang="en-US">hear</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">shadow</span><span lang="en-US">
</span><span lang="en-US">inside</span><span lang="en-US">”</span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">Research</span><span lang="en-US">
</span><span lang="en-US">involved</span><span lang="en-US">
</span><span lang="en-US">both:</span><span lang="en-US">
</span><span lang="en-US">development</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">tools</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">theoretical</span><span lang="en-US">
</span><span lang="en-US">review</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">virtual.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>PROBLEM
STATEMENT</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">closer</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">3D</span><span lang="en-US">
</span><span lang="en-US">production</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">studies</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">perception</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">contemporary</span><span lang="en-US">
</span><span lang="en-US">sculpture</span><span lang="en-US">
</span><span lang="en-US">provoke,</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">interest</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">actual</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">opened</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">area</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">began</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">sculpture,</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">finally</span><span lang="en-US">
</span><span lang="en-US">arrive</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">new</span><span lang="en-US">
</span><span lang="en-US">place.</span><span lang="en-US">
</span><span lang="en-US">That</span><span lang="en-US">
</span><span lang="en-US">door</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">opened</span><span lang="en-US">
</span><span lang="en-US">at</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">beginning</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">first</span><span lang="en-US">
</span><span lang="en-US">half</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">XX</span><span lang="en-US">
</span><span lang="en-US">century,</span><span lang="en-US">
</span><span lang="en-US">Naum</span><span lang="en-US">
</span><span lang="en-US">Gabo</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">text</span><span lang="en-US">
</span><span lang="en-US">Sculpture:</span><span lang="en-US">
</span><span lang="en-US">crave</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">build</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">1937</span><span lang="en-US">
</span><span lang="en-US">writes:</span><span lang="en-US">
“</span><span lang="en-US">We</span><span lang="en-US">
</span><span lang="en-US">thing</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">radically</span><span lang="en-US">
</span><span lang="en-US">different</span><span lang="en-US">
</span><span lang="en-US">point</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">view.</span><span lang="en-US">
</span><span lang="en-US">We</span><span lang="en-US">
</span><span lang="en-US">consider</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">absolutely</span><span lang="en-US">
</span><span lang="en-US">sculptural</span><span lang="en-US">
</span><span lang="en-US">element,</span><span lang="en-US">
</span><span lang="en-US">free</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">every</span><span lang="en-US">
</span><span lang="en-US">close</span><span lang="en-US">
</span><span lang="en-US">volume</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">represent</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">inside</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">their</span><span lang="en-US">
</span><span lang="en-US">own</span><span lang="en-US">
</span><span lang="en-US">specific</span><span lang="en-US">
</span><span lang="en-US">properties</span><span lang="en-US">”</span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">At</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">point</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">are</span><span lang="en-US">
</span><span lang="en-US">ready</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">speak</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">trace</span><span lang="en-US">
</span><span lang="en-US">left</span><span lang="en-US">
</span><span lang="en-US">behind.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">To</span><span lang="en-US">
</span><span lang="en-US">complete</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">framework</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">need</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">add</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">proposed</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">philosopher</span><span lang="en-US">
</span><span lang="en-US">Xavier</span><span lang="en-US">
</span><span lang="en-US">Zubiri</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">text</span><span lang="en-US"> </span><i><span lang="en-US">Space.</span><span lang="en-US">
</span><span lang="en-US">Time.</span><span lang="en-US">
</span><span lang="en-US">Matter</span><span lang="en-US">.</span></i><span lang="en-US">:</span><span lang="en-US"> </span></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: Liberation Sans,sans-serif;"><span lang="en-US">“</span><span lang="en-US">It</span><span lang="en-US">
</span><span lang="en-US">has</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">been</span><span lang="en-US">
</span><span lang="en-US">said</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">only</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">space,</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">attached</span><span lang="en-US">
</span><span lang="en-US">has</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">precisely</span><span lang="en-US">
</span><span lang="en-US">occupying</span><span lang="en-US">
</span><span lang="en-US">it.</span><span lang="en-US">
</span><span lang="en-US">By</span><span lang="en-US">
</span><span lang="en-US">example</span><span lang="en-US">
</span><span lang="en-US">old</span><span lang="en-US">
</span><span lang="en-US">anthropology</span><span lang="en-US">
</span><span lang="en-US">used</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">say</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">soul</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">every</span><span lang="en-US">
</span><span lang="en-US">part</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">body.</span><span lang="en-US">
</span><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">means</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">precisely</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">one</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">them.</span><span lang="en-US">
</span><span lang="en-US">However</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">inside</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">boundaries</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">human</span><span lang="en-US">
</span><span lang="en-US">body.</span><span lang="en-US">
</span><span lang="en-US">It</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">same</span><span lang="en-US">
</span><span lang="en-US">thing</span><span lang="en-US">
</span><span lang="en-US">being</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">than</span><span lang="en-US">
</span><span lang="en-US">occupying</span><span lang="en-US">
</span><span lang="en-US">it.</span><span lang="en-US">
</span><span lang="en-US">There</span><span lang="en-US">
</span><span lang="en-US">may</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">others</span><span lang="en-US">
</span><span lang="en-US">ways</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">different</span><span lang="en-US">
</span><span lang="en-US">than</span><span lang="en-US">
</span><span lang="en-US">occupying</span><span lang="en-US">
</span><span lang="en-US">it,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">neither</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">defined</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">”</span><span lang="en-US">.</span><span lang="en-US"> </span></span></i></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">allow</span><span lang="en-US">
</span><span lang="en-US">us</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">precisely</span><span lang="en-US">
</span><span lang="en-US">think</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">interacting</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">without</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">full</span><span lang="en-US">
</span><span lang="en-US">existence.</span><span lang="en-US">
</span></span>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">virtuality,</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">with,</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">one</span><span lang="en-US">
</span><span lang="en-US">authored</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">Pierre</span><span lang="en-US">
</span><span lang="en-US">Levy,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">defines</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">potency</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">force,</span><span lang="en-US">
</span><span lang="en-US">describing</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">state</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">things</span><span lang="en-US">
</span><span lang="en-US">opposite</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">actual,</span><span lang="en-US">
</span><span lang="en-US">but</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">real.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">terms</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">potency</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">being</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">just</span><span lang="en-US">
</span><span lang="en-US">needs</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">update</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">realism</span><span lang="en-US">
</span><span lang="en-US">so</span><span lang="en-US">
</span><span lang="en-US">its</span><span lang="en-US">
</span><span lang="en-US">virtually</span><span lang="en-US">
</span><span lang="en-US">develops.</span><span lang="en-US">
</span><span lang="en-US">A</span><span lang="en-US">
</span><span lang="en-US">step</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">can</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">perceived</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">works,</span><span lang="en-US">
</span><span lang="en-US">proposed</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">philosopher</span><span lang="en-US">
</span><span lang="en-US">Slavoj</span><span lang="en-US">
</span><span lang="en-US">Zizek,</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">Father</span><span lang="en-US">
</span><span lang="en-US">watching</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">son</span><span lang="en-US">
</span><span lang="en-US">exercises</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">powerful</span><span lang="en-US">
</span><span lang="en-US">force</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">behavior,</span><span lang="en-US">
</span><span lang="en-US">whose</span><span lang="en-US">
</span><span lang="en-US">strength</span><span lang="en-US">
</span><span lang="en-US">resides</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">fact</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">physical</span><span lang="en-US">
</span><span lang="en-US">one.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Another</span><span lang="en-US">
</span><span lang="en-US">useful</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">makes</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">cross</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">Postmedia,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">Jose</span><span lang="en-US">
</span><span lang="en-US">Luis</span><span lang="en-US">
</span><span lang="en-US">Brea</span><span lang="en-US">
</span><span lang="en-US">speaks</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">moment</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">possible</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">intervene</span><span lang="en-US">
</span><span lang="en-US">into</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">mediatic</span><span lang="en-US">
</span><span lang="en-US">sphere</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">inside,</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">tools</span><span lang="en-US">
</span><span lang="en-US">provided</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">itself,</span><span lang="en-US">
</span><span lang="en-US">because</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">its</span><span lang="en-US">
</span><span lang="en-US">own</span><span lang="en-US">
</span><span lang="en-US">diffusion</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">access</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">multiple</span><span lang="en-US">
</span><span lang="en-US">channels</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">mediatic</span><span lang="en-US">
</span><span lang="en-US">tools,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">their</span><span lang="en-US">
</span><span lang="en-US">arousal</span><span lang="en-US">
</span><span lang="en-US">created</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">open</span><span lang="en-US">
</span><span lang="en-US">space;</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">Brea</span><span lang="en-US">
</span><span lang="en-US">assures,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">deep</span><span lang="en-US">
</span><span lang="en-US">transformation</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">area</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">knowledge</span><span lang="en-US">
</span><span lang="en-US">distribution</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">practices.</span><span lang="en-US">
</span><span lang="en-US">And</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">big</span><span lang="en-US">
</span><span lang="en-US">contribution</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">kind</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">because</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">use</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">transform</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">utilitarian</span><span lang="en-US">
</span><span lang="en-US">tools</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">electronics</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">build</span><span lang="en-US">
</span><span lang="en-US">non</span><span lang="en-US">
</span><span lang="en-US">utilitarian</span><span lang="en-US">
</span><span lang="en-US">objects</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">human</span><span lang="en-US">
</span><span lang="en-US">phenomenon.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">current</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">explore</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">electronic</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">possibilities</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">make</span><span lang="en-US">
</span><span lang="en-US">evident</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">effect</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">continue</span><span lang="en-US">
</span><span lang="en-US">my</span><span lang="en-US">
</span><span lang="en-US">plastic</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">trend</span><span lang="en-US">
</span><span lang="en-US">line</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">one</span><span lang="en-US">
</span><span lang="en-US">explores</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">non-presence,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">means</span><span lang="en-US">
</span><span lang="en-US">something</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">now</span><span lang="en-US">
</span><span lang="en-US">here</span><span lang="en-US">
</span><span lang="en-US">until</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">fell</span><span lang="en-US">
</span><span lang="en-US">it.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">non-presence</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">nearly</span><span lang="en-US">
</span><span lang="en-US">similar</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Greek</span><span lang="en-US">
</span><span lang="en-US">word</span><span lang="en-US">
</span><span lang="en-US">phantasmata</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">mentioned</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Myth</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">Cave</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">Plato,</span><span lang="en-US">
</span><span lang="en-US">he</span><span lang="en-US">
</span><span lang="en-US">use</span><span lang="en-US">
</span><span lang="en-US">phantasmata</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">refer</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">shadows</span><span lang="en-US">
</span><span lang="en-US">reflected</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">wall</span><span lang="en-US">
</span><span lang="en-US">cave,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">were</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">ghost</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">entirely</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">outside</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">cave,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">phantasmata</span><span lang="en-US">
</span><span lang="en-US">means</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">non-fully,</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">shadow</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">reality.</span><span lang="en-US">
</span><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">concept</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia,</span><span lang="en-US">
</span><span lang="en-US">ghost</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">reality,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">presence</span><span lang="en-US">
</span><span lang="en-US">without</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">thing,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">invisible</span><span lang="en-US">
</span><span lang="en-US">power</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">influences</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">behavior</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">so</span><span lang="en-US">
</span><span lang="en-US">on,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">explores</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">works.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">process</span><span lang="en-US">
</span><span lang="en-US">has</span><span lang="en-US">
</span><span lang="en-US">two</span><span lang="en-US">
</span><span lang="en-US">components</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">theoretical</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">practical.</span><span lang="en-US">
</span><span lang="en-US">For</span><span lang="en-US">
</span><span lang="en-US">each</span><span lang="en-US">
</span><span lang="en-US">scholar</span><span lang="en-US">
</span><span lang="en-US">period</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">create</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">pieces,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">explore</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">phenomenon</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual,</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">conclude</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">development</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">exposition</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia.</span><span lang="en-US">
</span><span lang="en-US">It</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">proposed</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">final</span><span lang="en-US">
</span><span lang="en-US">proposal</span><span lang="en-US">
</span><span lang="en-US">there</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">conformed</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">multidisciplinary</span><span lang="en-US">
</span><span lang="en-US">team</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">interact</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">chose</span><span lang="en-US">
</span><span lang="en-US">together</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">better</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">final</span><span lang="en-US">
</span><span lang="en-US">work.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Theoretical</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">complement</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">production</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">bringing</span><span lang="en-US">
</span><span lang="en-US">clarity</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">concepts,</span><span lang="en-US">
</span><span lang="en-US">thinking</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">problem</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">multiple</span><span lang="en-US">
</span><span lang="en-US">ways,</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">interacts</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">world,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">places</span><span lang="en-US">
</span><span lang="en-US">are</span><span lang="en-US">
</span><span lang="en-US">selectively</span><span lang="en-US">
</span><span lang="en-US">permeable,</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">can</span><span lang="en-US">
</span><span lang="en-US">see</span><span lang="en-US">
</span><span lang="en-US">its</span><span lang="en-US">
</span><span lang="en-US">effect</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">us,</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">architectural</span><span lang="en-US">
</span><span lang="en-US">space,</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">behavior</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">so</span><span lang="en-US">
</span><span lang="en-US">on.</span><span lang="en-US">
</span><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">idea</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">become</span><span lang="en-US">
</span><span lang="en-US">stronger</span><span lang="en-US">
</span><span lang="en-US">day</span><span lang="en-US">
</span><span lang="en-US">after</span><span lang="en-US">
</span><span lang="en-US">day,</span><span lang="en-US">
</span><span lang="en-US">because</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">limits</span><span lang="en-US">
</span><span lang="en-US">between</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">are</span><span lang="en-US">
</span><span lang="en-US">most</span><span lang="en-US">
</span><span lang="en-US">slightly.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">To</span><span lang="en-US">
</span><span lang="en-US">finalize</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">framework</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">research,</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">take</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">division</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">great</span><span lang="en-US">
</span><span lang="en-US">fields</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">proposed</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">Christiane</span><span lang="en-US">
</span><span lang="en-US">Paul</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">her</span><span lang="en-US">
</span><span lang="en-US">book</span><span lang="en-US"> </span><i><span lang="en-US">Digital</span><span lang="en-US">
</span><span lang="en-US">Art</span></i><span lang="en-US">:</span><span lang="en-US">
</span><span lang="en-US">Digital</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">tool,</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">iconography,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">medium.</span><span lang="en-US">
</span></span>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">take</span><span lang="en-US">
</span><span lang="en-US">place</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">last</span><span lang="en-US">
</span><span lang="en-US">division,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">area</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">at</span><span lang="en-US">
</span><span lang="en-US">last,</span><span lang="en-US">
</span><span lang="en-US">but</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">not</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">closed</span><span lang="en-US">
</span><span lang="en-US">because</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">also</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">one</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">subjects</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>GENERAL
OBJECTIVE</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">D</span><span lang="en-US">evelop</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">proposal</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">deals</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual,</span><span lang="en-US">
</span><span lang="en-US">using</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">Medium</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">electronic</span><span lang="en-US">
</span><span lang="en-US">devices.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>PARTICULAR
OBJECTIVES</b></span></div>
<ul style="color: #f3f3f3; text-align: justify;">
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Sketching</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">animation,</span><span lang="en-US">
</span><span lang="en-US">experimental</span><span lang="en-US">
</span><span lang="en-US">sound,</span><span lang="en-US">
</span><span lang="en-US">video,</span><span lang="en-US">
</span><span lang="en-US">3d</span><span lang="en-US">
</span><span lang="en-US">modeling,</span><span lang="en-US">
</span><span lang="en-US">prototyping</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">electronic</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">interactive</span><span lang="en-US">
</span><span lang="en-US">devices.</span></span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Research
the concept of the reality of the virtual, automatons, presence, AI,
AL, electronic insurrection.</span></div>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Do</span><span lang="en-US">
</span><span lang="en-US">interviews</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">different</span><span lang="en-US">
</span><span lang="en-US">key</span><span lang="en-US">
</span><span lang="en-US">players</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">world.</span></span></div>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Research</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">needed</span><span lang="en-US">
</span><span lang="en-US">techniques,</span><span lang="en-US">
</span><span lang="en-US">materials,</span><span lang="en-US">
</span><span lang="en-US">methods</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">devices</span><span lang="en-US">
</span><span lang="en-US">useful</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">art.</span></span></div>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Study</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">analysis</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">strategic</span><span lang="en-US">
</span><span lang="en-US">works</span><span lang="en-US">
</span><span lang="en-US">inside</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">not,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">deal</span><span lang="en-US">
</span><span lang="en-US">whit</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">subjects</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research.</span></span></div>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Production</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia</span><span lang="en-US">
</span><span lang="en-US">works,</span><span lang="en-US">
</span><span lang="en-US">find</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">negotiate</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">exhibition</span><span lang="en-US">
</span><span lang="en-US">space.</span></span></div>
</li>
</ul>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>Background</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Since</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">proposal</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">Dada</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">Russian</span><span lang="en-US">
</span><span lang="en-US">Constructivism</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">idea</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">matter,</span><span lang="en-US">
</span><span lang="en-US">has</span><span lang="en-US">
</span><span lang="en-US">changed</span><span lang="en-US">
</span><span lang="en-US">transforming</span><span lang="en-US">
</span><span lang="en-US">sculpture</span><span lang="en-US">
</span><span lang="en-US">into</span><span lang="en-US">
</span><span lang="en-US">different</span><span lang="en-US">
</span><span lang="en-US">ways</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">expression</span><span lang="en-US">
</span><span lang="en-US">as:</span><span lang="en-US">
</span><span lang="en-US">installations,</span><span lang="en-US">
environment</span><span lang="en-US">,</span><span lang="en-US">
</span><span lang="en-US">objects</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">even</span><span lang="en-US">
</span><span lang="en-US">happening.</span><span lang="en-US">
</span><span lang="en-US">Another</span><span lang="en-US">
</span><span lang="en-US">important</span><span lang="en-US">
</span><span lang="en-US">fact</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">underlined</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Constructivism</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">closer</span><span lang="en-US">
</span><span lang="en-US">relation</span><span lang="en-US">
</span><span lang="en-US">between</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">engineering</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">art.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">On</span><span lang="en-US">
</span><span lang="en-US">1970</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">beginning</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">called</span><span lang="en-US">
</span><span lang="en-US">New</span><span lang="en-US">
</span><span lang="en-US">Media,</span><span lang="en-US">
</span><span lang="en-US">artist,</span><span lang="en-US">
</span><span lang="en-US">scientist</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">engineers,</span><span lang="en-US">
</span><span lang="en-US">arrived</span><span lang="en-US">
</span><span lang="en-US">at</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">crossroad</span><span lang="en-US">
</span><span lang="en-US">exploring</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">infinite</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">possibilities</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">union</span><span lang="en-US">
</span><span lang="en-US">provided,</span><span lang="en-US">
</span><span lang="en-US">like</span><span lang="en-US">
</span><span lang="en-US">interaction,</span><span lang="en-US">
</span><span lang="en-US">immersion,</span><span lang="en-US">
</span><span lang="en-US">kinetic</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">critic</span><span lang="en-US">
</span><span lang="en-US">implicated</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">devices.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">critic</span><span lang="en-US">
</span><span lang="en-US">side</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">mentioned</span><span lang="en-US">
</span><span lang="en-US">because</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">impossible</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">avoid</span><span lang="en-US">
</span><span lang="en-US">seeing</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">wonderful</span><span lang="en-US">
</span><span lang="en-US">technologies</span><span lang="en-US">
</span><span lang="en-US">have</span><span lang="en-US">
</span><span lang="en-US">their</span><span lang="en-US">
</span><span lang="en-US">origin</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">war</span><span lang="en-US">
</span><span lang="en-US">industry,</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">other</span><span lang="en-US">
</span><span lang="en-US">hand</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">technology</span><span lang="en-US">
</span><span lang="en-US">has</span><span lang="en-US">
</span><span lang="en-US">been</span><span lang="en-US">
</span><span lang="en-US">diversifying</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">purposes</span><span lang="en-US">
</span><span lang="en-US">transforming</span><span lang="en-US">
</span><span lang="en-US">their</span><span lang="en-US">
</span><span lang="en-US">character.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box1"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">M</span><span lang="en-US">ost</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">these</span><span lang="en-US">
</span><span lang="en-US">works</span><span lang="en-US">
</span><span lang="en-US">began</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">elaborating</span><span lang="en-US">
</span><span lang="en-US">pieces</span><span lang="en-US">
</span><span lang="en-US">attached</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">plane</span><span lang="en-US">
</span><span lang="en-US">screen</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">projection</span><span lang="en-US">
</span><span lang="en-US">surface,</span><span lang="en-US">
</span><span lang="en-US">but</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">just</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">beginning,</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">time</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">popularity</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">kind</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">technology</span><span lang="en-US">
</span><span lang="en-US">came</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">top</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">works</span><span lang="en-US">
</span><span lang="en-US">began</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">leave</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">flat</span><span lang="en-US">
</span><span lang="en-US">behind;</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">example</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">1994</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">artist</span><span lang="en-US">
</span><span lang="en-US">Jeffrey</span><span lang="en-US">
</span><span lang="en-US">Shaw,</span><span lang="en-US">
</span><span lang="en-US">presented</span><span lang="en-US">
</span><span lang="en-US">Golden</span><span lang="en-US">
</span><span lang="en-US">Calf,</span><span lang="en-US">
</span><span lang="en-US">placed</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">link</span><span lang="en-US">
</span><span lang="en-US">between</span><span lang="en-US">
</span><span lang="en-US">classical</span><span lang="en-US">
</span><span lang="en-US">sculpture</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">interaction</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">objects,</span><span lang="en-US">
</span><span lang="en-US">establishing</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">tie</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">between</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">real,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">piece</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">composed</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">white</span><span lang="en-US">
</span><span lang="en-US">pedestal</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">color</span><span lang="en-US">
</span><span lang="en-US">screen,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">only</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">see</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">object</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">pedestal.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">After</span><span lang="en-US">
</span><span lang="en-US">Golden</span><span lang="en-US">
</span><span lang="en-US">Calf,</span><span lang="en-US">
</span><span lang="en-US">Mexico</span><span lang="en-US">
</span><span lang="en-US">City</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">2000,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Mexican-Canadian</span><span lang="en-US">
</span><span lang="en-US">artist</span><span lang="en-US">
</span><span lang="en-US">Rafael</span><span lang="en-US">
</span><span lang="en-US">Lozano-Hemmer,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">words</span><span lang="en-US">
“</span><span lang="en-US">takes</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">multimedia</span><span lang="en-US">
</span><span lang="en-US">environment</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">occupy</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">…”</span><span lang="en-US">,</span><span lang="en-US">
</span><span lang="en-US">made</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Piece</span><span lang="en-US">
</span><span lang="en-US">named</span><span lang="en-US">
“</span><span lang="en-US">Vectorial</span><span lang="en-US">
</span><span lang="en-US">Elevation</span><span lang="en-US">”</span><span lang="en-US">,</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">integrated</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">18</span><span lang="en-US">
</span><span lang="en-US">robotic</span><span lang="en-US">
</span><span lang="en-US">reflectors</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">enlighten</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">night</span><span lang="en-US">
“</span><span lang="en-US">Zocalo</span><span lang="en-US">”</span><span lang="en-US">,</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">square</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">Mexico</span><span lang="en-US">
</span><span lang="en-US">City,</span><span lang="en-US">
</span><span lang="en-US">sky;</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">were</span><span lang="en-US">
</span><span lang="en-US">handled</span><span lang="en-US">
</span><span lang="en-US">from</span><span lang="en-US">
</span><span lang="en-US">a
white board</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">public</span><span lang="en-US">
</span><span lang="en-US">access,</span><span lang="en-US">
</span><span lang="en-US">making</span><span lang="en-US">
</span><span lang="en-US">possible</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">any</span><span lang="en-US">
</span><span lang="en-US">spectator</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">create</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">see</span><span lang="en-US">
</span><span lang="en-US">his</span><span lang="en-US">
</span><span lang="en-US">own</span><span lang="en-US">
</span><span lang="en-US">inspiration</span><span lang="en-US">
</span><span lang="en-US">crossing</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">sky.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">interaction</span><span lang="en-US">
</span><span lang="en-US">between</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">people,</span><span lang="en-US">
</span><span lang="en-US">public</span><span lang="en-US">
</span><span lang="en-US">space</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">work,</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">two</span><span lang="en-US">
</span><span lang="en-US">ways,</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">control</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">machinery</span><span lang="en-US">
</span><span lang="en-US">through</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">web</span><span lang="en-US">
</span><span lang="en-US">site</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">they</span><span lang="en-US">
</span><span lang="en-US">programmed</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">sequence</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">movements</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">robotics</span><span lang="en-US">
</span><span lang="en-US">reflectors</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">central</span><span lang="en-US">
</span><span lang="en-US">square</span><span lang="en-US">
</span><span lang="en-US">were</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">look</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">movement</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">lights.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Prior</span><span lang="en-US">
</span><span lang="en-US">examples</span><span lang="en-US">
</span><span lang="en-US">show</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">had</span><span lang="en-US">
</span><span lang="en-US">been</span><span lang="en-US">
</span><span lang="en-US">interacting</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">swapping</span><span lang="en-US">
</span><span lang="en-US">realities.</span><span lang="en-US">
</span><span lang="en-US">On</span><span lang="en-US">
</span><span lang="en-US">2005</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">group</span><span lang="en-US">
“</span><span lang="en-US">Haque</span><span lang="en-US">
</span><span lang="en-US">design+research</span><span lang="en-US">”</span><span lang="en-US">,</span><span lang="en-US">
</span><span lang="en-US">mounted</span><span lang="en-US">
“</span><span lang="en-US">Haunt</span><span lang="en-US">”
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">room,</span><span lang="en-US">
</span><span lang="en-US">reproducing</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">environment</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">haunted</span><span lang="en-US">
</span><span lang="en-US">house,</span><span lang="en-US">
</span><span lang="en-US">causing</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">attending</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">sensation</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">there</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">something,</span><span lang="en-US">
</span><span lang="en-US">they</span><span lang="en-US">
</span><span lang="en-US">heard</span><span lang="en-US">
</span><span lang="en-US">noises,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">addition</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">any</span><span lang="en-US">
</span><span lang="en-US">other</span><span lang="en-US">
</span><span lang="en-US">feeling</span><span lang="en-US">
</span><span lang="en-US">related</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">phantasmal</span><span lang="en-US">
</span><span lang="en-US">presences.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">sense</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">presence</span><span lang="en-US">
</span><span lang="en-US">was</span><span lang="en-US">
</span><span lang="en-US">provoked</span><span lang="en-US">
</span><span lang="en-US">artificially,</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">ultrasonic</span><span lang="en-US">
</span><span lang="en-US">waves,</span><span lang="en-US">
</span><span lang="en-US">magnetic</span><span lang="en-US">
</span><span lang="en-US">fields,</span><span lang="en-US">
</span><span lang="en-US">light</span><span lang="en-US">
</span><span lang="en-US">conditions,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">temperature</span><span lang="en-US">
</span><span lang="en-US">control,</span><span lang="en-US">
</span><span lang="en-US">making</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">see,</span><span lang="en-US">
</span><span lang="en-US">listening</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">fell</span><span lang="en-US">
</span><span lang="en-US">things</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">empty</span><span lang="en-US">
</span><span lang="en-US">room.</span><span lang="en-US">
</span><span lang="en-US">They</span><span lang="en-US">
</span><span lang="en-US">put</span><span lang="en-US">
</span><span lang="en-US">things</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">transmitted</span><span lang="en-US">
</span><span lang="en-US">free</span><span lang="en-US">
</span><span lang="en-US">feelings</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">without</span><span lang="en-US">
</span><span lang="en-US">any</span><span lang="en-US">
</span><span lang="en-US">tangible</span><span lang="en-US">
</span><span lang="en-US">material</span><span lang="en-US">
</span><span lang="en-US">element;</span><span lang="en-US">
</span><span lang="en-US">they</span><span lang="en-US">
</span><span lang="en-US">just</span><span lang="en-US">
</span><span lang="en-US">attached</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">perception</span><span lang="en-US">
</span><span lang="en-US">system</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">sensory</span><span lang="en-US">
</span><span lang="en-US">system</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">did</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">rest.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>PROPOSITION</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Th</span><span lang="en-US">rough</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">produced</span><span lang="en-US">
</span><span lang="en-US">under</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia</span><span lang="en-US">
</span><span lang="en-US">there</span><span lang="en-US">
</span><span lang="en-US">might</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">evident</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">people</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">allowing</span><span lang="en-US">
</span><span lang="en-US">them</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">better</span><span lang="en-US">
</span><span lang="en-US">understand</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">goes</span><span lang="en-US">
</span><span lang="en-US">beyond</span><span lang="en-US">
</span><span lang="en-US">reality</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">world</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">daily</span><span lang="en-US">
</span><span lang="en-US">life.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>PRODUCTION
METHODOLOGY</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>Methodology.</b></span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">practical</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">theoretical</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">begin</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">exploratory</span><span lang="en-US">
</span><span lang="en-US">character,</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">ponder</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">concepts</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">techniques</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">artistic</span><span lang="en-US">
</span><span lang="en-US">technological</span><span lang="en-US">
</span><span lang="en-US">works</span><span lang="en-US">
</span><span lang="en-US">have</span><span lang="en-US">
</span><span lang="en-US">been</span><span lang="en-US">
</span><span lang="en-US">done,</span><span lang="en-US">
</span><span lang="en-US">but</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">goal</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">explanatory,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">bend</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality,</span><span lang="en-US">
</span><span lang="en-US">carrying</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">real</span><span lang="en-US">
</span><span lang="en-US">world.</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">propose</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
“</span><span lang="en-US">Art</span><span lang="en-US">
</span><span lang="en-US">Based</span><span lang="en-US">
</span><span lang="en-US">Research</span><span lang="en-US">”
</span><span lang="en-US">(Shaun</span><span lang="en-US">
</span><span lang="en-US">McNiff,</span><span lang="en-US">
</span><span lang="en-US">1998)</span><span lang="en-US">
</span><span lang="en-US">as</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">methodology.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>Bibliography</b></span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">do</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">review</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">specialized</span><span lang="en-US">
</span><span lang="en-US">literature</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">develops</span><span lang="en-US">
</span><span lang="en-US">main</span><span lang="en-US">
</span><span lang="en-US">concepts</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research.</span><span lang="en-US">
</span><span lang="en-US">Also</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">do</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">visual</span><span lang="en-US">
</span><span lang="en-US">review,</span><span lang="en-US">
</span><span lang="en-US">taking</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">artists</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">non-artists</span><span lang="en-US">
</span><span lang="en-US">who</span><span lang="en-US">
</span><span lang="en-US">do</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">kind</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">work,</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">making</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">works</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">technologies.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box2"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>Experimentation</b></span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">This</span><span lang="en-US">
</span><span lang="en-US">step</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">divided</span><span lang="en-US">
</span><span lang="en-US">into</span><span lang="en-US">
</span><span lang="en-US">three</span><span lang="en-US">
</span><span lang="en-US">stages:</span><span lang="en-US">
</span><span lang="en-US">First</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">approach</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">idea,</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">this</span><span lang="en-US">
</span><span lang="en-US">stage</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">do</span><span lang="en-US">
</span><span lang="en-US">sketches</span><span lang="en-US">
</span><span lang="en-US">on</span><span lang="en-US">
</span><span lang="en-US">video,</span><span lang="en-US">
</span><span lang="en-US">installation,</span><span lang="en-US">
</span><span lang="en-US">photography,</span><span lang="en-US">
</span><span lang="en-US">experimental</span><span lang="en-US">
</span><span lang="en-US">sound,</span><span lang="en-US">
</span><span lang="en-US">animation</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">prototyping</span><span lang="en-US">
</span><span lang="en-US">interactive</span><span lang="en-US">
</span><span lang="en-US">devices.</span><span lang="en-US">
</span><span lang="en-US">In</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">second</span><span lang="en-US">
</span><span lang="en-US">stage</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">select</span><span lang="en-US">
</span><span lang="en-US">some</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">sketches</span><span lang="en-US">
</span><span lang="en-US">made</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">first</span><span lang="en-US">
</span><span lang="en-US">one</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">develop</span><span lang="en-US">
</span><span lang="en-US">some</span><span lang="en-US">
</span><span lang="en-US">pieces.</span><span lang="en-US">
</span><span lang="en-US">In</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">third</span><span lang="en-US">
</span><span lang="en-US">stage</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">multidisciplinary</span><span lang="en-US">
</span><span lang="en-US">group</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">select</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">way</span><span lang="en-US">
</span><span lang="en-US">that</span><span lang="en-US">
</span><span lang="en-US">Virtualis</span><span lang="en-US">
</span><span lang="en-US">Presentia</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">create</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">final</span><span lang="en-US">
</span><span lang="en-US">work</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">specific</span><span lang="en-US">
</span><span lang="en-US">site.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box3"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>Production</b></span><span lang="en-US"><b>
</b></span><span lang="en-US"><b>planning</b></span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">form</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">multidisciplinary</span><span lang="en-US">
</span><span lang="en-US">team</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">do</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">final</span><span lang="en-US">
</span><span lang="en-US">work;</span><span lang="en-US">
</span><span lang="en-US">it</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">make</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">necessary</span><span lang="en-US">
</span><span lang="en-US">arrangements</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">production,</span><span lang="en-US">
</span><span lang="en-US">exhibition,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">socialization</span><span lang="en-US">
</span><span lang="en-US">strategies.</span><span lang="en-US">
</span></span>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><b>Final</b></span><span lang="en-US"><b>
</b></span><span lang="en-US"><b>Report</b></span><span lang="en-US">.</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">will</span><span lang="en-US">
</span><span lang="en-US">finish</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">text</span><span lang="en-US">
</span><span lang="en-US">including</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">different</span><span lang="en-US">
</span><span lang="en-US">stages</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">embracing</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">conclusions,</span><span lang="en-US">
</span><span lang="en-US">exhibition</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">final</span><span lang="en-US">
</span><span lang="en-US">statement.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in; text-align: justify;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>PRELIMINARY
INDEX</b></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">INTRODUCTION</span></div>
<ol style="color: #f3f3f3;">
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">VIRTUALIS
PRESENTIA</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Interactive
automatons</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">The
multidisciplinary team</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Making
of </span>
</div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">The
staging</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Digital
Art Mainstrean, a review</span></div>
</li>
</ol>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Interviews</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Golan
Levin</span></div>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Arcángel</span><span lang="en-US">
</span><span lang="en-US">Constantini</span></span></div>
</li>
</ol>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Final
statement</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">A
glossary</span></div>
</li>
</ol>
</li>
</ol>
<ol start="2" style="color: #f3f3f3;">
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">A
BLIND WORLD</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Absence-presence,
start point</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Sketching
– experimentation</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Animation</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Experimental
audio</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Provocative
electronic</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Behavior</span></div>
</li>
</ol>
</li>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Reality</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">virtual</span><span lang="en-US">
</span></span>
</div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Interviews</span></div>
<ol>
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Martin
Bircher</span></span></div>
</li>
</ol>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">B
glossary</span></div>
</li>
</ol>
</li>
</ol>
<ol start="3" style="color: #f3f3f3;">
<li><div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">WALKING</span><span lang="en-US">
</span><span lang="en-US">THROUGH</span><span lang="en-US">
</span><span lang="en-US">HELL,</span><span lang="en-US">
</span><span lang="en-US">A</span><span lang="en-US">
</span><span lang="en-US">PATH</span><span lang="en-US">
</span><span lang="en-US">TO</span><span lang="en-US">
</span><span lang="en-US">KNOWLEDGE</span></span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Electronic
insurrection: bending, hacking, low fi</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Engineering</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Vision
</span>
</div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Robotics
</span>
</div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Coding</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Augmented
reality</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Artificial
Intelligence</span></div>
</li>
</ol>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Interviews</span></div>
<ol>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Jose
Ramon Alcala</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Gilberto
Esparza</span></div>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Carmen
Gonzales </span>
</div>
</li>
</ol>
</li>
<li><div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">C
glossary</span></div>
</li>
</ol>
</li>
</ol>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Conclusion</span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Coda
</span>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">References</span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>RESEARCH
CONTRIBUTIONS </b></span><br />
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b> </b></span><span style="font-size: large;">
</span></div>
<div style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box6"></a><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box7"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">research</span><span lang="en-US">
</span><span lang="en-US">allows</span><span lang="en-US">
</span><span lang="en-US">us</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">get</span><span lang="en-US">
</span><span lang="en-US">close</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">sensible</span><span lang="en-US">
</span><span lang="en-US">knowledge</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">virtuality,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">every</span><span lang="en-US">
</span><span lang="en-US">day</span><span lang="en-US">
</span><span lang="en-US">becomes</span><span lang="en-US">
</span><span lang="en-US">more</span><span lang="en-US">
</span><span lang="en-US">important</span><span lang="en-US">
</span><span lang="en-US">into</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">society.</span><span lang="en-US">
</span><span lang="en-US">The</span><span lang="en-US">
</span><span lang="en-US">virtuality</span><span lang="en-US">
</span><span lang="en-US">embodied</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">object</span><span lang="en-US">
</span><span lang="en-US">or</span><span lang="en-US">
</span><span lang="en-US">caused</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">intentional</span><span lang="en-US">
</span><span lang="en-US">situation</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">bring</span><span lang="en-US">
</span><span lang="en-US">light</span><span lang="en-US">
</span><span lang="en-US">about</span><span lang="en-US">
</span><span lang="en-US">its</span><span lang="en-US">
</span><span lang="en-US">origins,</span><span lang="en-US">
</span><span lang="en-US">behavior</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">how</span><span lang="en-US">
</span><span lang="en-US">we</span><span lang="en-US">
</span><span lang="en-US">interact</span><span lang="en-US">
</span><span lang="en-US">with</span><span lang="en-US">
</span><span lang="en-US">it.</span><span lang="en-US">
</span><span lang="en-US">It</span><span lang="en-US">
</span><span lang="en-US">contributes</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">formation</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">theoretical</span><span lang="en-US">
</span><span lang="en-US">body</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">digital</span><span lang="en-US">
</span><span lang="en-US">art,</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">is</span><span lang="en-US">
</span><span lang="en-US">beginning</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">develop</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">our</span><span lang="en-US">
</span><span lang="en-US">country.</span><span lang="en-US">
</span><span lang="en-US">It</span><span lang="en-US">
</span><span lang="en-US">Could</span><span lang="en-US">
</span><span lang="en-US">be</span><span lang="en-US">
</span><span lang="en-US">a</span><span lang="en-US">
</span><span lang="en-US">benchmark</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">future</span><span lang="en-US">
</span><span lang="en-US">studies</span><span lang="en-US">
</span><span lang="en-US">in</span><span lang="en-US">
</span><span lang="en-US">both</span><span lang="en-US">
</span><span lang="en-US">areas</span><span lang="en-US">
</span><span lang="en-US">art</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">technology.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">Socially
contributes to the understanding of this phenomenon as a sequel to
the classic and modern sculpture still so present in our lives. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div dir="LTR" id="Section1" style="color: #f3f3f3;">
<div lang="en-US" style="line-height: 150%; margin-bottom: 0in;">
<span style="font-size: large;"><a href="http://www.blogger.com/blogger.g?blogID=8091064286935032615" name="result_box8"></a>
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>MATERIALS
AND TECHNICAL RESOURCES</b></span></div>
<div style="line-height: 150%; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US"><br />I</span><span lang="en-US">
</span><span lang="en-US">have</span><span lang="en-US">
</span><span lang="en-US">an</span><span lang="en-US">
</span><span lang="en-US">equipped</span><span lang="en-US">
</span><span lang="en-US">workshop</span><span lang="en-US">
</span><span lang="en-US">for</span><span lang="en-US">
</span><span lang="en-US">sculpture</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">basic</span><span lang="en-US">
</span><span lang="en-US">electronic</span><span lang="en-US">
</span><span lang="en-US">prototyping,</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">access</span><span lang="en-US">
</span><span lang="en-US">to</span><span lang="en-US">
</span><span lang="en-US">specialized</span><span lang="en-US">
</span><span lang="en-US">literature.</span><span lang="en-US">
</span><span lang="en-US">I</span><span lang="en-US">
</span><span lang="en-US">have</span><span lang="en-US">
</span><span lang="en-US">been</span><span lang="en-US">
</span><span lang="en-US">supported</span><span lang="en-US">
</span><span lang="en-US">by</span><span lang="en-US">
</span><span lang="en-US">the</span><span lang="en-US">
</span><span lang="en-US">Multimedia</span><span lang="en-US">
</span><span lang="en-US">Center</span><span lang="en-US">
</span><span lang="en-US">of</span><span lang="en-US">
</span><span lang="en-US">National</span><span lang="en-US">
</span><span lang="en-US">Art</span><span lang="en-US">
</span><span lang="en-US">Center</span><span lang="en-US">
</span><span lang="en-US">which</span><span lang="en-US">
</span><span lang="en-US">could</span><span lang="en-US">
</span><span lang="en-US">provide</span><span lang="en-US">
</span><span lang="en-US">technological</span><span lang="en-US">
</span><span lang="en-US">and</span><span lang="en-US">
</span><span lang="en-US">theoretical</span><span lang="en-US">
</span><span lang="en-US">consulting.</span></span></div>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>REFERENCES</b></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>Bibliographic</b></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Arteleku (ed). <i>Ruido</i><i> </i><i>y</i><i> </i><i>Capitalismo</i>.
Spain, audiolab, San Sebastián, 2008. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Ascott,
Roy (ed.), <i>Engineering</i><i> </i><i>Nature,</i><i> </i><i>art</i><i>
</i><i>and</i><i> </i><i>conciousness</i><i> </i><i>in</i><i> </i><i>the</i><i>
</i><i>Post-biological</i><i> </i><i>era</i>, U.K., Intellect, 2006.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Banzi, Massimo. <i>Getting</i><i> </i><i>started</i><i> </i><i>whit</i><i>
</i><i>Arduino.</i> United States of America, O´Reilly, 2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Bachelor, David. <i>Minimalismo</i>. Hong Kong, Tate Gallery, 1997.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Benjamin Walter, <i>La</i><i> </i><i>obra</i><i> </i><i>de</i><i>
</i><i>arte</i><i> </i><i>en</i><i> </i><i>la</i><i> </i><i>época</i><i>
</i><i>de</i><i> </i><i>su</i><i> </i><i>reproductibilidad</i><i>
</i><i>técnica</i>. Mexico, Itaca press, 2003.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Bernard, Korzeniewsky. <i>Cybernetic</i><i> </i><i>Formulation</i><i>
</i><i>of</i><i> </i><i>the</i><i> </i><i>Definition</i><i> </i><i>on</i><i>
</i><i>Life.</i> Insitute of molecular biology. Jagiellonian
Univerty, Kraków, Poland, 2000. www. Idealibrary.com.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Borestein, Greg. <i>Making</i><i> </i><i>things</i><i> </i><i>see</i>.
Canada, O´Reilly, 2012.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Bourriaud,
Nicolas. <i>Relational</i><i> </i><i>Aestetics.</i> Argentina,
Ariadna Hidalgo press.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Brea,
José Luis. <i>La</i><i> </i><i>era</i><i> </i><i>post</i><i> </i><i>media;</i><i>
</i><i>Acción</i><i> </i><i>comunicativa,</i><i> </i><i>practicas</i><i>
</i><i>(post)artística,</i><i> </i><i>y</i><i> </i><i>dispositivos</i><i>
</i><i>neomediales.</i> Edited on PDF, www.sindominio.net: 2002.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Brice,
Richard. <i>Multimedia</i><i> </i><i>and</i><i> </i><i>virtual</i><i>
</i><i>reality</i><i> </i><i>engineering</i>. Boston, Newnes, 1997.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Burdeau,
Grigore. Et al.<i> </i><i>Tecnologías</i><i> </i><i>de</i><i> </i><i>la</i><i>
</i><i>realidad</i><i> </i><i>virtual</i>. Spain, Paidós, 1996.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Christian,
Paul. <i>Digital</i><i> </i><i>Art</i>. Singapore, Thames and Hudson,
2008.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">De
Oliviera, Nicolas. <i>Installation</i><i> </i><i>art</i><i> </i><i>in</i><i>
</i><i>the</i><i> </i><i>new</i><i> </i><i>millennium:</i><i> </i><i>the</i><i>
</i><i>empire</i><i> </i><i>of</i><i> </i><i>the</i><i> </i><i>senses</i>.
Singapore, Thames and Hudson, 2003.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Didi-Huberman,
Georges. <i>Ser</i><i> </i><i>cráneo:</i><i> </i><i>lugar,</i><i>
</i><i>contacto,</i><i> </i><i>pensamiento,</i><i> </i><i>escultura</i>.
Espain, Cuatro ediciones, 2009.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Ellegood,
Anne. <i>Vitamin-3d</i>. U.K., Phaidon press, 2009.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Esquilo, P<i>rometeo</i><i> </i><i>encadenado</i>. Pehuen press,
2001.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Fisher, Jaime. <i>El</i><i> </i><i>hombre</i><i> </i><i>y</i><i> </i><i>la</i><i>
</i><i>técnica,</i><i> </i><i>Hacia</i><i> </i><i>una</i><i>
</i><i>filosofía</i><i> </i><i>política</i><i> </i><i>de</i><i> </i><i>la</i><i>
</i><i>ciencia</i><i> </i><i>y</i><i> </i><i>la</i><i> </i><i>tecnología</i>.
Mexico, Universidad Nacional Autonoma de México, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Flynn,
Tom. <i>El</i><i> </i><i>cuerpo</i><i> </i><i>en</i><i> </i><i>la</i><i>
</i><i>escultura</i>. Spain, Akal press, 2002.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Gibson, William. <i>Neuromante</i>. Barcelona, Spain, Minotauro,
1994. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Gonzales Carmen, <i>Sonidos_de_protoboard</i>, Tijuana, Mexico,
Protolab_movil, 2011. Descarga en: http://protolabmovil.cc </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Lynn, Gale, et al. F<i>otografía</i><i> </i><i>digital</i>. Mexico,
Universidad Nacional Autonoma de México, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Giannachi,
Gabriella. <i>Virtual</i><i> </i><i>theatres:</i><i> </i><i>an</i><i>
</i><i>introduction</i>. Spain, Routledge, 2004.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Giannetti, Claudia. Media Culture. Spain, L´Angelot, 1995.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"> <i>Ars</i><i>
</i><i>telematica,</i><i> </i><i>Telecomunicación,</i><i> </i><i>internet</i><i>
</i><i>y</i><i> </i><i>ciberespacio.</i> Spain, L´Angelot, 1998.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"> Estética
Digital. Spain, L´Angelot, 2002.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Igoe, Tom. <i>Making</i><i> </i><i>things</i><i> </i><i>talk</i>.
Canada, O´Reilly, 2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Kalten,
R. <i>A</i><i> </i><i>touché</i><i> </i><i>of</i><i> </i><i>code:</i><i>
</i><i>Interactive</i><i> </i><i>installations</i><i> </i><i>and</i><i>
</i><i>Experiences.</i> Gestalten: 2001.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="background: none repeat scroll 0% 0% transparent; font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span style="background: none repeat scroll 0% 0% transparent;">Kaye,</span><span style="background: none repeat scroll 0% 0% transparent;">
</span><span style="background: none repeat scroll 0% 0% transparent;">Nick.</span><span style="background: none repeat scroll 0% 0% transparent;">
</span><i>Multi-media:</i><i> </i><i>video-installation-performance.</i>
Taylor y Francis, 2007.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Kaye,
Nick. <i>Site-specific</i><i> </i><i>art:</i><i> </i><i>performance,</i><i>
</i><i>place</i><i> </i><i>and</i><i> </i><i>documentation.</i>
Routledge, 2000.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Krauss,
Rosalind. <i>200</i><i> </i><i>Years</i><i> </i><i>of</i><i> </i><i>American</i><i>
</i><i>Sculpture.</i> New York, Whitney Museum of American Art,
1976.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Krauss,
Rosalind. <i>A</i><i> </i><i>voyage</i><i> </i><i>on</i><i> </i><i>the</i><i>
</i><i>north</i><i> </i><i>sea;</i> <i>art</i><i> </i><i>in</i><i>
</i><i>the</i><i> </i><i>age</i><i> </i><i>of</i><i> </i><i>the</i><i>
</i><i>post-medium</i><i> </i><i>condition</i>. Italy: Thames and
Hudson, 1999.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Krauss,
Rosalind. <i>Pasajes</i><i> </i><i>de</i><i> </i><i>la</i><i>
</i><i>escultura</i><i> </i><i>moderna.</i> Madrid, Spain, Akal 2002.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Kumar Saha, Subir. <i>Introducción</i><i> </i><i>a</i><i> </i><i>la</i><i>
</i><i>Robótica.</i> Mexico, McGraw-Hill, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Lévy,
Pierre. ¿<i>Qué</i><i> </i><i>es</i><i> </i><i>lo</i><i> </i><i>virtual?</i>.
Argentina: Paidós, 1999.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Maderuelo,
Javier. <i>La</i><i> </i><i>idea</i><i> </i><i>del</i><i> </i><i>espacio</i><i>
</i><i>en</i><i> </i><i>la</i><i> </i><i>arquitectura</i><i> </i><i>y</i><i>
</i><i>el</i><i> </i><i>arte</i><i> </i><i>contemporáneos.</i>
1960-1989. Spain, Akal, 2008.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Maeda,
John. <i>Creative</i><i> </i><i>Code:</i><i> </i><i>Aesthetics</i><i>
</i><i>+</i><i> </i><i>Computation.</i> Singapore, Thames and Hudson.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Maldonado,
Tomas. <i>Lo</i><i> </i><i>real</i><i> </i><i>y</i><i> </i><i>lo</i><i>
</i><i>virtual.</i> Spain, Gedisa, 1994.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Manovich, Lev. <i>El</i><i> </i><i>lenguaje</i><i> </i><i>de</i><i>
</i><i>los</i><i> </i><i>nuevos</i><i> </i><i>medios</i><i> </i><i>de</i><i>
</i><i>comunicación:</i><i> </i><i>la</i><i> </i><i>imagen</i><i> </i><i>en</i><i>
</i><i>la</i><i> </i><i>era</i><i> </i><i>digital.</i> Spain, Paidós,
2005.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Marchan
Fiz, Simon. <i>Real</i><i> </i><i>/</i><i> </i><i>Virtual</i><i> </i><i>en</i><i>
</i><i>la</i><i> </i><i>estética</i><i> </i><i>y</i><i> </i><i>la</i><i>
</i><i>teoría</i><i> </i><i>de</i><i> </i><i>las</i><i> </i><i>artes.</i>
Spain, Paidos, 2006.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Matia Martin, Paris. <i>Conceptos</i><i> </i><i>fundamentales</i><i>
</i><i>del</i><i> </i><i>lenguaje</i><i> </i><i>escultórico.</i>
Spain, Akal, 2007.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Margolis, Michael. <i>Arduino</i><i> </i><i>Cookbook.</i> United
Satates of America, O´Reilly, 2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Michaud, Yves. <i>El</i><i> </i><i>arte</i><i> </i><i>en</i><i>
</i><i>estado</i><i> </i><i>gaseoso.</i> Mexico: Fondo de Cultura
Económica, 2007.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Monk, Simon. <i>30</i><i> </i><i>Arduino</i><i> </i><i>projects</i><i>
</i><i>for</i><i> </i><i>the</i><i> </i><i>evil</i><i> </i><i>genious.</i>
McGraw-Hill, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Moreno, Cesar. <i>Filosofía</i><i> </i><i>y</i><i> </i><i>realidad</i><i>
</i><i>virtual.</i> Spain, Universidad de Zaragoza, 2008.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-size: large;">–
</span><span style="font-family: Liberation Sans,sans-serif; font-size: large;">Naef,
Silvia, <i>Las</i><i> </i><i>artes</i><i> </i><i>en</i><i> </i><i>el</i><i>
</i><i>Islam:</i><i> </i><i>entre</i><i> </i><i>prohibición</i><i> </i><i>y</i><i>
</i><i>figuración.</i> Université de Genève, 2007.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Paker, Randall and Jordan Ken (ed.). <i>Multimedia,</i><i> </i><i>From</i><i>
</i><i>Wagner</i><i> </i><i>to</i><i> </i><i>virtual</i><i> </i><i>reality</i>.
United States of America, W.W. Norton and Company, 2001.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Parra Marquez, Juan Carlos.<i> </i><i>Introducción</i><i> </i><i>práctica</i><i>
</i><i>a</i><i> </i><i>la</i><i> </i><i>realidad</i><i> </i><i>virtual.</i>
Santiago, Chile, Universidad del Bio-Vio, 2001.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Pearson, Matt. <i>Generative</i><i> </i><i>Art</i>. United States of
America, Manning publications Co., 2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Ratnam Niru, <i>Art</i><i> </i><i>and</i><i> </i><i>Globalization,</i>
en Gill, Perry and Paul Wood (eds.), <i>Themes</i><i> </i><i>in</i><i>
</i><i>Contemporary</i><i> </i><i>Art</i>, New Haven, Yale University
Press/The Open University, 2004. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Raya Cabrera, José Luis. <i>Guía</i><i> </i><i>de</i><i> </i><i>campo</i><i>
</i><i>máquinas</i><i> </i><i>virtuales.</i> México: Alfaomega
Grupo Editor, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Rush, Michael. <i>New</i><i> </i><i>media</i><i> </i><i>in</i><i>
</i><i>art.</i> Singapore, Thames and hudson, 2005.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Simanowski, Roberto. <i>Digital</i><i> </i><i>art</i><i> </i><i>and</i><i>
</i><i>meaning;</i><i> </i><i>Reading</i><i> </i><i>kinetic</i><i>
</i><i>poetry,</i><i> </i><i>Text</i><i> </i><i>machines,</i><i>
</i><i>Mapping</i><i> </i><i>art</i><i> </i><i>and</i><i> </i><i>interactive</i><i>
</i><i>installations.</i><i> </i>USA: University of Minnesota Press,
2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Stamp, Dave. <i>Realidad</i><i> </i><i>virtual:</i><i> </i><i>creaciones</i><i>
</i><i>y</i><i> </i><i>desarrollo</i>. Madrid, Spain, Anaya
Multimedia, 1995.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Stallman M. Richard, <i>Software</i><i> </i><i>libre</i><i> </i><i>para</i><i>
</i><i>una</i><i> </i><i>sociedad</i><i> </i><i>libre.</i> Madrid,
Traficantes de sueños, 2004. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Stocker, Gerfried, et al. <i>Ars</i><i> </i><i>Electronica</i><i>
</i><i>1979-2009</i><i> </i><i>the</i><i> </i><i>first</i><i> </i><i>30</i><i>
</i><i>years.</i> Ars Electronica, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Tarkovsky Andrey, <i>Esculpir</i><i> </i><i>el</i><i> </i><i>Tiempo.</i>
Mexico, UNAM, 2009 </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Vidler, Anthony. Et al. Anthony Gormley: blind light. USA: Hayward
Publishing, 2007. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Flisser, Vilem. <i>Hacia</i><i> </i><i>el</i><i> </i><i>universo</i><i>
</i><i>de</i><i> </i><i>las</i><i> </i><i>imagenes</i><i> </i><i>técnicas.</i>
Mexico, Universidad Nacional Autonoma de México, 2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Vince, John. Introduction to virtual reality. London, England,
Springer Verlag, 2004.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Wands, Bruce. <i>Art</i><i> </i><i>of</i><i> </i><i>the</i><i>
</i><i>digital</i><i> </i><i>age.</i> Singapore, Thames and Hudson,
2007.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Wilson, Stephen (ed.). <i>Art</i><i> </i><i>+</i><i> </i><i>science</i><i>
</i><i>now.</i> China, Thames and hudson, 2010.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.2in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
ZUBIRI, Xavier, <i>Espacio.</i><i> </i><i>Tiempo.</i><i> </i><i>Materia.</i>
Spain, Alianza Editorial 1996.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>Digital</b></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Arduino home page, Web.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">http://www.arduino.cc/,
Last visit: 09-12-2011. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Arte en Construcción. Web.
http://www.youtube.com/user/ArteEnConstruccion, Last visit:
15-02-2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Benjamin Stephens, Robotics Institute, Video.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">http://www.cs.cmu.edu/~bstephe1/,
Last visit: junio 2012.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Biggar, Web. http://www.sndrv.nl/biggar/, Last visit: 15-01-2011.<span lang="en-US"> </span></span><br />
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">- Dominguez</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Ricardo,</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Herramienta</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Transfronteriza</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">para</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Inmigrantes,
Web.
</span></span><span style="font-size: large;"><span lang="zxx"><span style="font-family: Liberation Sans,sans-serif;"><span lang="en-US"><span style="text-decoration: none;">http://www.wokitoki.org/wk/440/herramienta-transfronteriza-para-inmigrantes,</span></span></span></span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Last</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">visit</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">:</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">01-12-2011.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Klaus Obermaier and Ars Electronica Futurelab, Aparition, Web.
http://www.exile.at/apparition/index.html, Last visit: 2012.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Lev Manovich, Web. http://manovich.net/, Last visit: 20-08-2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Lozano Hemmer Rafael, Apostasis, Web.</span></div>
<div style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><span lang="zxx"><span style="font-family: Liberation Sans,sans-serif;"><span lang="en-US"><span style="text-decoration: none;">http://www.lozano-hemmer.com/apostasis.php,</span></span></span></span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Last</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">visit</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">:</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">01-12-2011.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Lozano Hemmer Rafael, Flatsun, Web.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">http://www.lozano-hemmer.com/flatsun.php,
Last visit: 01-12-2011. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Marzo José luis, Escamoteo, Text.</span></div>
<div style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-size: large;"><span lang="zxx"><span style="font-family: Liberation Sans,sans-serif;"><span lang="en-US"><span style="text-decoration: none;">http://www.artemasciencia.unam.mx/texto.html,</span></span></span></span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">Last</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">visit</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">:</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">
</span></span><span style="font-family: Liberation Sans,sans-serif; font-size: large;"><span lang="en-US">01-12-2011.</span></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Processing. Web. http://processing.org/, Last visit: 15-01-2011.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Weyland Industries, Time Line (2012), Web.
</span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">http://www.weylandindustries.com/timeline,
Last visit: 01-02-2012.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.39in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;"><b>Video</b></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-size: large;"><br /></span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Andy Wachowski, Lana Wachowski (1999), The Matrix, Video, E.U.A., 136
min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Andy Wachowski, Lana Wachowski (2003), The Matrix Reloaded, Video,
E.U.A., 138 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Andy Wachowsky, Lana Wachowski (2003), The Matrix Revolutions, Video,
E.U.A., 129 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Kamijama, Kenji, Ghost in the Shell: Stand Alone Complex, Production
I.G., Japón, 2005, 160 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Peter Chung, Andrew R. Jones et al., The Animatrix, E.U.A., 2003, 156
min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Sophie Fiennes (2006), The Pervert's Guide to Cinema, Video, E.U.A.
156 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
McG (2009), Terminator Salvation, video, E.U.A. 115 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Ridley Scott (1982), Blade Runner, Video, E.U.A., 117 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Ridley Scott (2012), Prmetheus, Video, E.U.A., 124 min.</span></div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in; text-indent: 0.38in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">-
Zizek Slavoj, 2004, The reality of the virtual. </span>
</div>
<div lang="en-US" style="color: #f3f3f3; margin-bottom: 0in;">
<span style="font-family: Liberation Sans,sans-serif; font-size: large;">http://www.youtube.com/watch?v=CBKMfXy_aF8
Consulta: 01-12-2011. </span>
</div>
</div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-49872555590239198222012-06-05T20:08:00.002-07:002012-06-05T20:09:22.350-07:00PROTOCOLO DE INVESTIGACIÓN V. 6.0<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><b>I.
TÍTULO: </b><b>VIRTUALIS PRESENTIA. </b>Estudio de los efectos de la
virtualidad en el mundo real.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><b>II.
PLANTEAMIENTO DEL PROBLEMA:</b> </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">La
propuesta está íntimamente vinculada con la producción
tridimensional y la percepción espacial, podemos decir que se parte
desde la escultura para llegar a un sitio que hoy en día tiene
demasiados nombres. La entrada a la percepción de la espacialidad
como un elemento fundamental en las obras de arte se vino abriendo
desde la primera mitad del siglo XX, Naum Gabo en su texto <i>Escultura:
tallar y construir en el espacio </i>de 1937 nos dice: “Nosotros
consideramos al espacio desde un punto de vista totalmente distinto.
Lo consideramos como un elemento escultórico absoluto, liberado de
todo volumen cerrado, y lo representamos desde su interior, con sus
propiedades específicas”. Este es el marco ideal para poder
hablar de las presencias virtuales, ya que la investigación propone
que estas tienen efectos en el mundo real y además pueden ser
percibidas.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0cm; margin-right: 0.09cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Dentro
de este marco se anexa el concepto de espacio que propone el filósofo
Xavier Zubiri en su texto <i>Tiempo.Espacio.Materia:</i> <i>“Pero
no</i><span style="color: red;"><i> </i></span><i>está dicho que la
única manera de estar presente en el espacio, de estar adscrito al
espacio se precisamente el ocuparlo. En la vieja antropología se
decía, por ejemplo que el alma está en todas las partes del cuerpo.
Lo cual quiere decir que no esta adscrita a ninguna de ellas. Y, sin
embargo, esta dentro de los límites definitivos que constituyen la
periferia del cuerpo humano. No es lo mismo estar en el espacio que
ocuparlo. Hay tal vez otras maneras de estar adscrito al espacio que
no son ocuparlo, y que no es tampoco estar definido por el.” </i>Este
concepto de espacio nos permite pensar precisamente que las
presencias virtuales pueden estar presentes en nuestro espacio sin
ocuparlo, parafraseando a Zubiri.</span></span></span></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0cm; margin-right: 0.09cm;">
<br /></div>
<div align="JUSTIFY" style="line-height: 150%; margin-bottom: 0cm; margin-right: 0.09cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">El
concepto de virtualidad con el que se trabajará es el manejado por
Pierre Levy, el cual define a esta como potencia o fuerza,
describiendo a la virtualidad como un estado de las cosas reales en
oposición no a la realidad sino a la actualidad. Lo virtual es real
en cuanto a potencia de serlo y solo hace falta la actualización de
esta realidad para que esta virtualidad se desarrolle. Una faceta en
la que se puede percibir como opera la virtualidad la propone el
filosofo Slavoj Zizek, comentando como la visión de un padre que
observa a su hijo ejerce una poderosa fuerza en su comportamiento,
cuya fuerza radica en que esa fuerza no es física.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<br />
<br /></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Un
concepto que nos servirá para entender mejor donde se sitúa el tipo
de producción que pretende esta investigación es el de <i>Postmedia.
</i>Con<span style="color: red;"> </span>este término José Luis Brea
nos habla de un momento en el que es posible intervenir en la esfera
mediática desde dentro, con las herramientas que ésta misma provee,
porque en su misma difusión y acceso los múltiples canales y
herramientas mediáticas, en su emergencia crearon un espacio
abierto. Esto, asegura Brea, la transformación profunda del espacio
de las tecnologías de distribución del conocimiento y las prácticas
artísticas.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Esta
investigación explorará las posibilidades artísticas de las
tecnologías digitales para hacer evidentes los efectos de las
presencias virtuales en mundo real. La investigación da continuidad
a mi línea de trabajo plástica en la cual he explorado el concepto
de im-presencia (con técnicas escultóricas analógicas) el cual
relacionaré con el concepto de virtualidad en la realización de la
propuesta Virtualis Presentia.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Para
empezar se desarrollará una serie de piezas en cada uno de los
primeros semestres, que explorarán las diferentes aristas de la
interacción de la virtualidad con la realidad, para concluir con la
socialización de la propuesta Virtualis Presentia. Para la propuesta
final se plantea la creación de un equipo multidisciplinario que
pueda responder a las diferentes necesidades que plantean este tipo
de propuestas. </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">La
investigación teórica nutrirá el trabajo de producción aportando
claridad sobre los conceptos que se manejarán en las propuestas,
para generar una reflexión desde el arte sobre el problema de la
virtualidad, un fenómeno que cobra mayor importancia día día.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">La
investigación teórica incluye una revisión de obras que abordan
los conceptos de virtualidad real, autómatas, presencia,
inteligencia artificial e insurrección electrónica.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Para
ubicar donde se encuentra el problema de estudio, recurriré a la
división que hace Christiane Paul en su libro <i>Digital Art</i> de
los grandes campos en los que se podría hacer un estudio del mismo:
<i>Arte digital</i> como herramienta, temas en <i>arte digital y arte
digital </i>como medio. </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Es
en esta última categoría es donde se ubican la investigación.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<br />
<br /></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">III.
<b>Meta general</b></span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Desarrollar
la propuesta artística Virtualis Presentia, que aborda la relación
de la virtualidad con la realidad, utilizando como medios
dispositivos electrónicos y tecnologías digitales.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Metas
particulares</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Realizar
ejercicio de boceto en animación, audio, video, modelado 3d,
prototipos electrónicos y dispositivos interactivos.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Analizar
el concepto de virtualidad real.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Realizar
una serie de entrevistas a creadores ubicados dentro del circuito del
arte electrónico.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Investigar
las técnicas y dispositivos necesarios para la realización de obras
de arte electrónico (visión computacional, robótica, programación,
realidad aumentada, e inteligencia artificial).</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Hacer
una revisión de los conceptos de virtualidad real, autómatas,
presencia, inteligencia artificial e insurrección electrónica.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Analizar
piezas estratégicas que trabajen con los conceptos de virtualidad
real, autómatas, presencia, inteligencia artificial e insurrección
electrónica.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Conformar
un equipo de trabajo multidisciplinario.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">-Producir
la obra o la serie de obras que conformaran la propuesta <i>Virtualis
Presentia</i> y socializar la propuesta.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">IV.
ANTECEDENTES DEL PROBLEMA</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Desde
lo propuesto por los constructivistas lo que conocíamos como
escultura se fue transformando en diferentes formas de abarcar el
espacio como la instalación, las ambientaciones e inclusive el
happening, además de generarse un nuevo estrechamiento histórico de
las artes con las ciencias.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">A
partir de 1970 con la emergencia de los llamados nuevos medios,
artistas, ingenieros y científicos empezaron a incursionar en la
producción plástica desde estos medios, realizando obras que
exploraban las nuevas posibilidades expresivas de estos medios, al
tiempo que realizaban críticas sobre las implicaciones de estos. </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Aun
que estas obras en su mayoría empezaron a trabajar desde medios que
seguían adheridos a un plano, ya sea una pantalla o una proyección
conforme aparecían nuevas propuestas estas fueron abandonando el
plano y fracturaron este marco, algunos ejemplos son: 1994 el
artista Jeffrey Shaw, con su pieza <i>Golden Calf,</i> sitúa un
vínculo, entre la escultura clásica y la interacción con objetos
virtuales, estableciendo un vinculo de la realidad con esta, la pieza
estaba compuesta por un pedestal blanco y una pantalla a color, la
cual era el único medio para visualizar el objeto sobre el
pedestal.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Ciudad
de México año 2000, el artista Canadiense-Mexicano Rafael Lozano
Hemmer, que en sus palabras: “lleva el entorno multimedia a que
invada en el espacio real…”, realizó la pieza <i>Vectorial
Elevation, </i>la cual constaba de 18 reflectores robóticos que
cruzaban el cielo nocturno del Zócalo de la ciudad de México,
mismos que eran manejados desde un portal de acceso público, esta
obra posibilitaba el que un ciudadano de apie de cualquier parte del
mundo interviniera con su propia composición el cielo la ciudad de
México.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">En
el 2005 el grupo Haque design+research, montan el proyecto <i>Haunt</i>
en una habitación en la cual reproducen las condiciones de una casa
embrujada provocando en los visitantes la sensación de que había
algo, oían cosas y demás sensaciones relacionadas con las
presencias fantasmales, los cuales de alguna forma son presencias
virtuales, que están pero no ocupan ningún espacio. </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">V.
PROPOSICIÓN</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">A
través de la obra Virtualis Presentia se podrá evidenciar y así
comprender mejor la forma en la que las <i>Presencias Virtuales</i>
transgreden la realidad.</span></span></span></div>
<div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">VI.
ESTRATEGIAS DE PRODUCCION Y PERSPECTIVA TEORICO METODOLÓGICA</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><i>Metodología.
</i>La investigación práctica y teórica tiene de comienzo un
carácter exploratorio, para reflexionar sobre los conceptos y
procedimientos por lo que se realizan obras con tecnologías
digitales, con miras a llegar a ser explicativa en cuanto a la
posibilidad de manejar la virtualidad en el espacio real. La
metodología que se aplicará a la investigación es la
“Investigación basada en artes” (Art-Based Research, propuesta
por Shaun McNiff).</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><i>Documentación.</i>
Se<span style="color: red;"> </span>hará una revisión de la literatura
especializada que desarrolla los conceptos de virtualidad real,
autómatas, presencia, inteligencia artificial e insurrección
electrónica. Se realizará una documentación visual de los artistas
que desarrollan este tema en diferentes medios y las herramientas y
dispositivos que son necesarios.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><i>Experimentación.</i>
Esta fase se divide en tres etapas: La primera, de acercamiento al
tema, la cual estará basada en explorar mediante bocetos en video,
instalación, fotografía, experimentación sonora, animación y
electrónica. En la segunda etapa se seleccionarán algunas de las
líneas de trabajo abiertas en la exploración plástica. En la
Tercera etapa se realizara una propuesta final sobre alguna de las
líneas plásticas exploradas, para un sitio especifico.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><i>Planeación.</i>
Se formará un equipo multidisciplinario para la propuesta final, se
harán las gestiones necesarias para los espacios de exposición de
las obras, así como las estrategias de socialización.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><i>Edición
del documento.</i> Se terminara el texto que reunirá las distintas
partes de la investigación junto con la conclusión y evidencias.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<br />
<br /></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><b>VII.</b>
<b>ESTRUCTURA CONCEPTUAL</b></span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Los
conceptos claves de la investigación son: Virtualidad, presencia,
interacción, arte electrónico, insurrección electrónica,
inteligencia artificial, robótica, espacio, cuerpo, programación</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<br />
<br /></div>
<div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">VIII.
ÍNDICE TENTATIVO</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Introducción</span></b></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Virtualis
Presentia</span></b></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">La
propuesta, autómatas que reaccionan a presencias.</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">El
quipo multidisciplinario </span></span></span>
</div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Producción
de la obra</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">El
montaje</span></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Circuitos
en el arte electrónico</span></span></span></div>
</li>
</ol>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Rafael Lozano Hemmer</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Arcángel Constantini</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Análisis
de la propuesta realizada</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Glosario
a</span></span></span></div>
</li>
</ol>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">El
mundo ciego</span></b></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Presencia
de la ausencia, propuesta de partida</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Bocetos
– experimentación</span></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Animación</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Audios</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Electrónica
provocativa</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Comportamientos</span></span></span></div>
</li>
</ol>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Virtualidad
real</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Andrea Di Castro</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Glosario
b</span></span></span></div>
</li>
</ol>
</li>
<li><div align="JUSTIFY" class="western" lang="en-US" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Walking
through hell, a path of knowledge</span></b></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" lang="en-US" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Insurreción
electronica: bending, hacking, low fi</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Carmen Gonzales </span></span></span>
</div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Ingeniería</span></span></span></div>
<ol>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Visión
computacional</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Robótica</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" lang="en-US" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Coding</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Realidad
aumentada</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Inteligencia
artificial</span></span></span></div>
</li>
</ol>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Sebastian Thrun </span></span></span>
</div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Entrevista
a Gilberto Esparza</span></span></span></div>
</li>
<li><div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Glosario
c</span></span></span></div>
</li>
</ol>
</li>
</ol>
<div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Conclusiones</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">Referencias</span></b></span></span></div>
<div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<br />
<br /></div>
<div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">X.
CONTRIBUCIONES DE LA INVESTIGACIÓN</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">La
investigación es importante porque realiza una reflexión del
concepto de virtualidad (mismo que cobra día a día mayor
importancia en nuestra sociedad) y como esta interactúa con el
espacio real y por lo tanto con nosotros como individuos; contribuye
a la formación del cuerpo teórico del arte digital, un fenómeno en
actual desarrollo que dentro del área de la escultura no ha sido muy
abordado, aportando a estudiantes, artistas y académicos interesados
en el área. </span></span></span>
</div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Estimula
y analiza los vínculos entre el arte y la tecnología.</span></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Socialmente
aporta a la comprensión de este fenómeno de forma que marca la
continuidad de éste con la escultura clásica y moderna.</span></span></span></div>
<div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">RECURSOS
MATERIALES Y TECNICOS DISPONIBLES</span></b></span></span></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Dispongo
de un taller propio equipado con herramientas para escultura, equipo
digital y bibliografía especializada en arte. Tengo apoyo del Centro
Multimedia del CENART mediante su acervo bibliográfico y las
asesorías en tecnología que brindan.</span></span></span></div>
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">X.<span style="color: red;">
</span>FUENTES DE INVESTIGACIÓN</span></b></span></span>
<br />
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">BIBLIOGRÁFICAS</span></b></span></span></div>
<ul>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Arnaldo
Alcubilla, Francisco Javier. <i>Santiago calatrava: esculturas y
dibujos. </i>España: Ministerio de educación y ciencia, 2001.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Bourriaud,
Nicolas. <i>Relational Aestetics</i>. Argentina: Ariadna Hidalgo
Editorial.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Brea,
José Luis. <i>La era post media; Acción comunicativa, practicas
(post)artística, y dispositivos neomediales. </i>Editado en pdf,
<i>www.sindominio.net</i>: 2002.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Brice,
Richard. <i>Multimedia and virtual reality engineering.</i> Boston:
Newnes, 1997.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Burdeau,
Grigore. Et al. <i>Tecnologías de la realidad virtual. </i>España:
Paidós, 1996.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Christian,
Paul. <i>Digital Art.</i> Singapore: Thames and Hudson, 2008.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">De
Oliviera, Nicolas. <i>Installation art in the new millennium: the
empire of the senses. </i>Singapore: Thames and Hudson, 2003.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Didi-Huberman,
Georges. <i>Ser cráneo: lugar, contacto, pensamiento, escultura.
</i>España: Cuatro ediciones, 2009.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Ellegood,
Anne. <i>Vitamin-3d. </i>Reino Unido: Phaidon Press, 2009.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Flynn,
Tom. <i>El cuerpo en la escultura. </i>España: Ediciones Akal,
2002.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Giannachi,
Gabriella. <i>Virtual theatres: an introduction. </i>Routledge,
2004.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Kalten,
R. <i>A touché of code: Interactive installations and Experiences.
</i>Gestalten: 2001.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Kaye,
Nick. <i>Multi-media: video-installation-performance. </i>Taylor y
Francis, 2007.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Kaye,
Nick. <i>Site-specific art: performance, place and documentation.
</i>Routledge, 2000.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Krauss,
Rosalind. <i>200 Years of American Sculpture.</i> New York:<i> </i>
Whitney Museum of American Art, 1976.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Krauss,
Rosalind. <i>A voyage on the north sea; art in the age of the
post-medium condition. </i>Italy: Thames and Hudson, 1999.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;"><span lang="en-US">Krauss,
Rosalind</span>. <i>Pasajes de la escultura moderna. </i>Madrid,
España: Akal 2002.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Lévy,
Pierre.<i> ¿Qué es lo virtual?.</i> Argentina: Paidós, 1999.</span></span></span></div>
</li>
</ul>
<div class="western" style="line-height: 150%; margin-bottom: 0cm; margin-left: 0.64cm;">
<br /></div>
<ul>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Maderuelo,
Javier<i>. La idea del espacio en la arquitectura y el arte
contemporáneos, 1960-1989</i>. España: Akal, 2008.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Maeda,
John. <i>Creative Code: Aesthetics + Computation.</i> Singapore:
Thames and Hudson.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Maldonado,
Tomas. <i>Lo real y lo virtual. </i>España: Editorial Gedisa, 1994.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Manovich,
Lev. <i>El lenguaje de los nuevos medios de comunicación: la imagen
en la era digital.</i> España: Paidós, 2005.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Marchan
Fiz, Simon. <i>Real / Vritual en la estética y la teoría de las
artes. </i>España: Editorial paidos, 2006.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Matia
Martin, Paris. <i>Conceptos fundamentales del lenguaje escultórico.
</i>España: Ediciones Akal, 2007.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Michaud,
Yves. <i>El arte en estado gaseoso</i>. México: Fondo de Cultura
Económica, 2007.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Moreno,
Cesar. <i>Filosofía y realidad virtual. </i>España: Universidad de
Zaragoza, 2008.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Parra
Marquez, Juan Carlos. <i>Introducción práctica a la realidad
virtual. </i>Santiago, Chile: Universidad del Bio-Vio, 2001.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Raya
Cabrera, José Luis. <i>Guía de campo máquinas virtuales. </i>México:
Alfaomega Grupo Editor, 2010.</span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Simanowski,
Roberto. <i>Digital art and meaning; Reading kinetic poetry, Text
machines, Mapping art and interactive installations. </i>USA:
University of Minnesota Press, 2011.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Stamp,
Dave. <i>Realidad virtual: creaciones y desarrollo. </i>Madrid,
España: Anaya Multimedia, 1995.</span></span></span></div>
</li>
<li><div class="western" style="margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="background: none repeat scroll 0% 0% transparent;">Stocker,
Gerfried, et al. </span></span></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span lang="en-US"><i><span style="background: none repeat scroll 0% 0% transparent;">Ars
Electronica 1979-2009 the first 30 years</span></i></span></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="background: none repeat scroll 0% 0% transparent;">.
Ars Electronica, 2010.</span></span></span></span></div>
</li>
<li><div class="western" lang="en-US" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Vidler,
Anthony. Et al. <i>Anthony Gormley: blind light. </i>USA: Hayward
Publishing, 2007. </span></span></span>
</div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Vin<span lang="en-US">ce,
John. </span><span lang="en-US"><i>Introduction to virtual reality.
</i></span><span lang="en-US">London, England: Springer Verlag,
2004.</span></span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Wands,
Bruce. </span></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><i><span style="background: none repeat scroll 0% 0% transparent;">Art
of the digital age</span></i></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">.
</span></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Singapore
Thames and Hudson, 2007.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">ZUBIRI,
Xavier, Espacio. Tiempo. Materia, España, Alianza Editorial 1996.</span></span></span></div>
</li>
</ul>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div align="JUSTIFY" class="western" style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><b><span style="background: none repeat scroll 0% 0% transparent;">DIGITALES</span></b></span></span></div>
<ul>
<li><div class="western" style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Arte
en Construcción. </span><i><span style="background: none repeat scroll 0% 0% transparent;">Web
en línea.</span></i><span style="background: none repeat scroll 0% 0% transparent;">
</span><span style="color: blue;"><u><a href="http://www.youtube.com/user/ArteEnConstruccion"><span style="background: none repeat scroll 0% 0% transparent;">http://www.youtube.com/user/ArteEnConstruccion</span></a></u></span><span style="background: none repeat scroll 0% 0% transparent;">.
Consulta: 15-02-2011.</span></span></span></div>
</li>
</ul>
<ul>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Proyecto
Processing. </span><i><span style="background: none repeat scroll 0% 0% transparent;">Web en
línea.</span></i><span style="background: none repeat scroll 0% 0% transparent;"> </span><span style="background: none repeat scroll 0% 0% transparent;">
</span><span style="color: blue;"><u><a href="http://processing.org/"><span style="background: none repeat scroll 0% 0% transparent;">http://processing.org/</span></a></u></span><span style="background: none repeat scroll 0% 0% transparent;">.
Consulta: 15-01-2011.</span></span></span></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">Proyecto
Bigga</span></span></span><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><i><span style="background: none repeat scroll 0% 0% transparent;">r,
Web en línea. </span></i></span></span><span style="color: blue;"><u><a href="http://www.sndrv.nl/biggar/"><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">http://www.sndrv.nl/biggar/</span></span></span></a></u></span><b><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">.
Consulta: 15-01-2011.</span></span></span></b></div>
</li>
<li><div class="western" style="line-height: 150%; margin-bottom: 0.35cm;">
<b><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="font-weight: normal;"><span style="background: none repeat scroll 0% 0% transparent;">Lev
Manovich, Web en línea. </span></span></span></span></b><span style="color: blue;"><u><a href="http://manovich.net/"><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">http://manovich.net/</span></span></span></a></u></span><b><span style="font-family: Helvetica LT Std,Arial,sans-serif;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% transparent;">
. Consulta: 20-08-2011.</span></span></span></b></div>
</li>
</ul>
</div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-68788120089470428532012-05-22T18:51:00.000-07:002012-05-22T18:52:01.140-07:00Redes Neuronales clase 1<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/rM7TbL2IU9U?feature=player_embedded' frameborder='0'></iframe><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/oeL8snSpeuM?feature=player_embedded' frameborder='0'></iframe><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/FreGl5O62Oo?feature=player_embedded' frameborder='0'></iframe></div>
</div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-78297358981462191022011-06-17T18:39:00.000-07:002011-06-17T18:39:17.709-07:00PLAN DE TRABAJO ARTISTICO<div dir="ltr" style="text-align: left;" trbidi="on"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Aquí se muestra una ruta crítica tentativa de trabajo artistico.</span><br />
<br />
<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi9SUK5z_6okoVTDs1KRkOj5KlVdh3vkYGZpjl62nNADzwrqSDzIqL7QWkEwbNFl_gIobJHxQfHZPbKNZAEnxXEc676zsQGVxJ3RuFMZmlUKD4OMK5FjfmEvLwvO4DjNL-jM-i5mkJi-Y/s1600/plan-de-trabajo-plastico-joaquin-roberto-diaz-duran.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="414" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi9SUK5z_6okoVTDs1KRkOj5KlVdh3vkYGZpjl62nNADzwrqSDzIqL7QWkEwbNFl_gIobJHxQfHZPbKNZAEnxXEc676zsQGVxJ3RuFMZmlUKD4OMK5FjfmEvLwvO4DjNL-jM-i5mkJi-Y/s640/plan-de-trabajo-plastico-joaquin-roberto-diaz-duran.jpg" width="640" /></a></div><br />
</div></div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.comtag:blogger.com,1999:blog-8091064286935032615.post-37826007261659526852011-06-07T15:46:00.000-07:002011-06-07T15:59:32.524-07:00PROTOCOLO DE INVESTIGACIÓN V. 1.0<div dir="ltr" style="text-align: left;" trbidi="on"><br />
<div class="MsoNormal" style="line-height: 150%;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 14pt; line-height: 150%;">ESCULTURA Y ARTE DIGITAL EN EL ESPACIO FISICO<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 14pt; line-height: 115%;">[1]</span></b></span></span>.</span></b></div><div class="MsoNormal" style="line-height: 150%;"><br />
</div><div class="MsoNormal" style="line-height: 150%;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">PRESENTA: </span></b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 14pt; line-height: 150%;">LIC. EN ARTES VISUALES JOAQUÍN ROBERTO DÍAZ DURÁN</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">PLANTEAMIENTO DEL PROBLEMA:</span></b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Esta investigación desarrolla la pregunta clave </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">¿Cómo se desarrollan los conceptos de la escultura en el arte digital? Y para responderla es necesario contestar otras ¿Cuáles son los conceptos heredados de la escultura que se están manejando y desarrollando dentro del arte digital? ¿Qué nuevos conceptos se están asociando a la producción escultórica desde este campo? ¿Cuáles son los dispositivos, programas y medios que son necesarios para su producción? ¿Qué nuevas posibilidades genera este en la relación espectador-obra-espacio-autor? </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Esto implica realizar experimentación en programación interactiva en plataformas del estilo de Processing, manejo de micro controladores como Arduino, adquirir conocimientos de robótica y electrónica básicas, modelado 3d, etc. para ir generando la sensibilidad inherente a estos medios. Estudiar a los teóricos que manejan estas áreas y llevar a la práctica los conceptos investigados y la sensibilidad adquirida creando una pieza que ponga en acciones estas.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Como parte del proceso de creación de la obra se propone la formación de un equipo multidisciplinario, para resolver los diferentes vértices de la propuesta. Esto responde a la forma en la que se producen las piezas en estos lenguajes que por lo regular requieren de conocimientos de ingeniería, arquitectura y otras para su realización.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">La investigación está situada en el gran ecosistema del arte digital, a su vez está enfocada en el problema de la escultura, más dentro del arte digital podemos identificar muchos problemas que conciernen a esta. </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Para situar más claramente el objeto de la investigación adopto y extiendo los niveles propuestos por Christiane Paul<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[2]</span></span></span> para definir algunas de las vertientes concernientes al Arte Digital y la escultura:</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">El primer nivel es, <i style="mso-bidi-font-style: normal;">Tecnologías Digitales como Herramienta</i> -la actualización de los procedimientos que se han venido utilizándose desde el renacimiento, llevados a la actualidad con tecnología y materiales de punta-, que abarca piezas que hacen uso de herramientas como escáner 3d, impresoras 3d, routers 3d, que buscan producir obras que formalmente responden a los conceptos clásicos de la escultura<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[3]</span></span></span>. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">El segundo nivel corresponde a la <i style="mso-bidi-font-style: normal;">Escultura Virtual,</i> mismas que modifican espacios y volúmenes dentro de un plano cartesiano de tres dimensiones que inclusive puede incluir el factor temporal, el cual puede ser vivido mediante proyecciones, visualizado desde una pantalla ó un casco de realidad virtual. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">La tercera y última vertiente corresponde a <i style="mso-bidi-font-style: normal;">Lo Escultórico de las Tecnologías Digitales en el Espacio Físico<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[4]</span></span></span>, </i>es decir como estos entornos multimedia invaden el espacio real, se tornan tangibles, alteran, modifican el espacio y es posible llevar a las personas a apropiarse de esta experiencia.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Es en esta última vertiente que menciono es donde se llevará a cabo la investigación, buscando conocer como a través de las tecnologías digitales se crean planteamientos escultóricos en el <i style="mso-bidi-font-style: normal;">espacio físico</i> enfatizando en el espacio arquitectónico y urbano. Investigando las características que tienen estas obras, quienes son los artistas más representativos en el panorama internacional y como se ha relacionado este fenómeno con los artistas y los circuitos de exposición en México de finales de finales de 1990 a la fecha.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Al abordar esta investigación le doy continuidad a la constante búsqueda y experimentación con la que he trabajo mis temas. Los procedimientos que he aprendido y desarrollado ya no me son suficientes y veo en el arte digital un gran campo que permite nuevas posibilidades a la escultura.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Objetivo general</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Demostrar cómo es que a través de los nuevos medios pueden crearse planteamientos escultóricos en el <i style="mso-bidi-font-style: normal;">espacio físico, y que planteamientos son estos.</i></span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Objetivos particulares</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Hacer una revisión de los artistas digitales en el panorama internacional y nacional que tienen una producción escultórica en el <i style="mso-bidi-font-style: normal;">espacio físico </i>y sus orígenes.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Investigar las herramientas, dispositivos, software y hardware mediante los cuales se producen propuestas escultóricas digitales en el espacio físico.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Investigar las bases teóricas que soportan la producción en arte digital.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Realizar pruebas escultóricas en distintos dispositivos, materiales y software.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-En base a los resultados obtenidos en la experimentación y a la sensibilidad generada por la misma, bocetar y crear la maqueta de una propuesta plástica.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Formar un equipo multidisciplinario para cubrir las diferentes necesidades de la pieza que se proyecte.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Realizar una instalación escultórica mediante tecnologías digitales.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">-Realizar el documento de la investigación.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">ANTECEDENTES DEL PROBLEMA</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">A mediados del siglo XX los conceptos propuestos por los Futuristas (la velocidad como objeto artístico y el culto a la maquina), Constructivistas (el rechazo a los paradigmas del siglo XIX) y la Bauhaus (la integración del trinomio arte-industria-artesanía) marcan el desbordamiento de las formas de lo escultórico. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Uno de los puntos del Manifiesto realista de Naum Gabo nos hace pensar como florecieron algunos de ellos en el Arte Cinético:</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 9pt; line-height: 150%;">“Renunciamos al desencanto artístico enraizado desde hace siglos, según el cual los ritmos estáticos son los únicos elementos de las artes plásticas. Afirmamos que en estas artes está el nuevo elemento de los ritmos cinéticos en cuanto formas basilares de nuestra percepción del tiempo real.”<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 9pt; line-height: 115%;">[5]</span></span></span></span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Calder fue uno de sus mayores representantes con sus móviles y tiene hoy a Theo Jansen como uno de sus representantes más atrevidos (quien curiosamente retoma la idea de artista-ingeniero propuesta por los Constructivistas).</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">En el momento en que el arte cinético empieza a tomar cuerpo sucede la primera generación de computadoras (1946-1958), teniendo como representante más famosa a la ENIAC (Electronic Numerical Integrator And Computer) desarrollada para calcular tablas de trayectorias para el ejército de E.U. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; mso-outline-level: 1; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Las fechas 1970 y 1983 son clave en el arte digital, en la primera sale al mercado la Porta Pack de Sony, la primera cámara de video que conjunta audio e imagen en una sola cinta. Nam Yum Paik y Wolf Vostell fueron los pioneros del videoarte, quienes también trabajaron con video instalaciones. En la segunda fecha sale al mercado la primer MACINTOSH, con su Unidad de Interface Gráfica.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Entre los artistas que han llevado las tecnologías digitales al <i style="mso-bidi-font-style: normal;">espacio físico</i>, tenemos a Stelarc quien ha explorado el discurso del ciborg<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[6]</span></span></span>, que con su proyecto <i style="mso-bidi-font-style: normal;">Third Hand</i> crea un interacción hombre-máquina al tener inserto un brazo robótico que el maneja, y ser manejado a su vez por una computadora.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Uno de los exponentes más desarrollados en la interacción Espacio virtual-Espacio físico es el grupo inglés Blast Theory<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[7]</span></span></span>, que en piezas como Can <i style="mso-bidi-font-style: normal;">You See Me Now? </i>Experimentan desde un plano lúdico como el espacio virtual y el físico se fusionan. En esta pieza tú vas persiguiendo a alguien que no existe en el mundo físico, pero si en el virtual y la única forma de hallarlo es que tu proyección en una ciudad idéntica a la tuya lo alcance en ese mismo mundo virtual, la forma de mover tu proyección es moverte por la ciudad ya que estas están vinculadas mediante GPS.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Otro de los que trabajan con este fenómeno semipermeable es el artista Canadiense-Mexicano Rafael Lozano Hemmer<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[8]</span></span></span>, que en sus palabras: “lleva el entorno multimedia a que invada en el espacio real, se torna tangible en este y lleva a los cuerpos a que se apropien del mismo”. Su pieza Vectorial Elevation -Ciudad de México 2000-, constaba de 18 reflectores robóticos que cruzaban el cielo nocturno del Zócalo de la ciudad de México, manejados desde un sitio público en internet, generando diferentes composiciones espaciales con luz.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Las piezas antes mencionadas comparten muchas de las características de los nuevos medios, ya que pueden ser actualizadas y presentarse con ligeras modificaciones en diferentes lugares.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">PROPOSICION O HIPOTESIS</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Se está generando un nuevo desbordamiento de los conceptos de la escultura al producirse esta interacción espacio virtual-espacio físico, mediante tecnologías digitales.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">ESTRATEGIAS DE PRODUCCION Y PERSPECTIVA TEORICO METODOLÓGICA</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Documentación.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se investigarán el desarrollo de los conceptos de la escultura en el arte digital, los artistas que han desarrollado esta área. Se revisará a algunos de los teóricos y críticos que estudian esta área y se investigara que recursos técnicos son necesarios; en esta etapa se propone la creación de un blog-bitácora.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Experimentación.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se seleccionarán algunos de los programas y dispositivos identificados en la etapa documental, se aprenderá a manejarlos, para obtener experiencia y sensibilidad en los comportamientos, posibilidades estéticas y escultóricas que tienen. En esta se generaran sub-productos de ejercicios escultóricos en tecnologías digitales, se documentarán y se publicarán en el blog.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Reflexión y bocetos.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se recapitulara lo investigado, la experiencia y sensibilidad adquirida para abordar un problema escultórico específico y empezar con los bocetos de la pieza. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Planeación.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se estructura la planeación de producción, montaje y gestión del espacio a exponer. Dentro de esta etapa se formara el equipo multidisciplinario.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Realización.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se producirá la pieza y se expondrá para que la gente pueda interactuar con ella y poner en juego el discurso planteado.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Edición del documento.</span></i><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Se terminara el texto que reunirá las distintas partes de la investigación junto con la conclusión y evidencias.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">ESTRUCTURA CONCEPTUAL</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Es indispensable aclarar los siguientes conceptos: desbordamiento de la escultura, nuevos medios, arte digital y tecnologías digitales. </span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Para abordar este desbordamiento de la escultura que menciona Javier Maderuelo se parte de que el concepto de escultura<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[9]</span></span></span> que aun hoy día encontramos en las enciclopedias ha sido superado.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Se marca como inicio de esto el Balzac de Rodin que fue fundido en una sola pieza. Este proceso vive un segundo momento con Tatlin, a este respecto </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Benjamin Buchloh menciona:</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; mso-mirror-indents: yes; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 10pt; line-height: 150%;">“</span></b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 10pt; line-height: 150%;">Un análisis riguroso de la historia de la escultura moderna debería reconocer que la mayoría de los paradigmas –en apariencia eternos- que habían funcionado en la escultura de finales del siglo XIX –es decir la representación de cuerpos individuales y antropomorfos realizados en materiales inertes y perdurables e imbuidos en un tempo ilusionista de vida espúrea- fueron abolidos definitivamente hacia 1913. El relieve de esquina de Tatlin y su más tardío Monumento a la Tercera Internacional, ambos derivados del cubismo sintético, constituyen los extremos de un eje en el que ha pivotado la escultura (conscientemente o no) desde entonces… Arquitectura, por un lado, y modelo epistemológico, por otro, han sido los dos polos hacia los que tendido toda escultura de importancia, implicando ambos la disolución final de su propio discurso en cuanto a escultura.”<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 10pt; line-height: 115%;">[10]</span></span></span></span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">En este desbordamiento la escultura adopto nuevos conceptos. Esto se pone de manifiesto en las instalaciones de James Turrel que solo utilizan luz, negando con esto la <i style="mso-bidi-font-style: normal;">Presencia Física<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[11]</span></span></span>, una de las principales características de la </i>escultura en sus periodos clásicos, en el arte Povera que niega los materiales nobles, en los Happenings se convierte lo escultórico en un suceso, el Land Art se apropia del paisaje, hasta entonces un tema de la pintura… Este desbordamiento de los conceptos y formas de la escultura tuvo un crecimiento exponencial a partir de 1960, con el fin de las vanguardias.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">En 1970 las tecnologías digitales que habían estado desarrollándose a lo largo del siglo XX, tuvieron una gran apertura reduciendo tamaños y costos. Esto origino un nuevo desbordamiento de la escultura a través de estas.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Para empezar a describir el concepto nuevos medios y desde este llegar al de arte digital citare un fragmento de Lev Manovich:</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 10pt; line-height: 150%;">“… el año clave en la historia de los medios y de la informática es 1936. El matemático Britanico Alan Turing escribió un artículo seminal titulado <i style="mso-bidi-font-style: normal;">Sobre los números computables, </i>en el que proporcionaba una descripción teórica de un ordenador de uso general que más tarde iba a ser llamado como su inventor: <i style="mso-bidi-font-style: normal;">la maquina universal de Turing</i>… la maquina podía efectuar cualquier calculo que pudiera hacer un ser humano, así como imitar cualquier otra computadora. Funcionaba a base de escribir y leer números en una cinta sin fin que cada pazo avanzaba recuperando la siguiente orden, leyendo los datos o escribiendo el resultado. Su esquema guarda un sospechoso parecido con el de un proyector de cine ¿se trata de una coincidencia?<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 10pt; line-height: 115%;">[12]</span></span></span></span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Se intuía una relación entre estos. Los medios y las maquinas informáticas siguieron desarrollándose por separado desde la cámara de daguerrotipos de Daguerre y la maquina analítica de Babbage, el cinematógrafo de los Lumiere y el tabulador de Hollerith hasta que se unen y se funden en uno. Todos los medios actuales se traducen a datos numéricos a los que se accede por ordenador. El resultado: los gráficos, imágenes en movimiento, sonidos, formas, espacios y textos se vuelven computables; es decir conjuntos simples de datos informáticos. <i style="mso-bidi-font-style: normal;">En definitiva los medios se convierten en nuevos medios<span class="MsoFootnoteReference"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">[13]</span></span></span>.</i></span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; mso-outline-level: 1; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Al empezar a utilizarse estas tecnologías para la creación artística los términos que se han utilizado para englobar esta producción han cambiado rápidamente, pasando desde el Computer art, Multimedia art, New media art y Digital art. Ya que el término Arte de Nuevos Medios desde finales del siglo XX se ha utilizado para hablar de cine, video, arte sonoro y formas hibridas de estos, se adopta para esta investigación el término Arte Digital, el cual es un ecosistema en el que habita un gran rango de trabajos artísticos y practicas más que una constante estilística.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">ESQUEMA DE TRABAJO</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">1.0 Introducción</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">2.0 Antecedentes de la escultura en el arte digital</span></b></div><div class="MsoNormal" style="line-height: 150%; margin-left: 35.4pt; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">2.1 Los constructivistas Rusos</span></b></div><div class="MsoNormal" style="line-height: 150%; margin-left: 35.4pt; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">2.2 Escultura Cinética</span></b></div><div class="MsoNormal" style="line-height: 150%; margin-left: 35.4pt; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">2.3 Escultores en los 70´s</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">3.0 Arte digital</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> 3.1 La revolución electrónica</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> 3.2 Artistas y tecnologías digitales</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">4.0 Escultura en el arte digital de finales de 1990 a la fecha</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 35.4pt;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">4.1La escultura en el arte digital. Un panorama internacional.</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 35.4pt;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">4.2 La escultura en el arte digital. El panorama nacional.</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Conclusiones</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Notas </span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Fuentes de consulta</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Índice de imágenes </span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Glosario</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Anexos y apéndices</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">IMPACTO O CONTRIBUCIONES DE LA INVESTIGACIÓN</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">La investigación es importante porque amplia el campo de investigación de la escultura y contribuye a la formación del cuerpo teórico de este fenómeno en actual desarrollo que dentro del área de la escultura no ha sido muy abordado, aportando a estudiantes, artistas y académicos interesados en el área y socialmente a la comprensión de este fenómeno como manifestación escultórica.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">RECURSOS MATERIALES Y TECNICOS DISPONIBLES</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Dispongo de un taller propio equipado con herramientas mecánicas, equipo digital y bibliografía especializada en arte. Tengo apoyo del Centro Multimedia del CENART mediante su acervo bibliográfico y las asesorías en tecnología que brindan.</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">CALENDARIO DE ACTIVIDADES</span></b><br />
<br />
<br />
<table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; margin-left: 2.75pt; width: 527px;"><tbody>
<tr style="height: 13.5pt; mso-yfti-firstrow: yes; mso-yfti-irow: 0;"> <td colspan="13" style="background: #FFC000; border-right: solid black 1.0pt; border: solid windowtext 1.0pt; height: 13.5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 395.0pt;" valign="bottom" width="527"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Arial","sans-serif"; font-size: 8pt;">CALENDARIO DE ACTIVIDADES 2011-2012</span></b></div></td> </tr>
<tr style="height: 13.5pt; mso-yfti-irow: 1;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: accent3; mso-background-themetint: 153; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ACTIVIDAD</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">AGO</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">SEP</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">OCT</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">NOV</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">DIC</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ENE</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">FEB</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">MAR</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ABR</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">MAY</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">JUN</span></b></div></td> <td nowrap="nowrap" style="background: white; border-right: solid windowtext 1.0pt; border: none; height: 13.5pt; mso-background-themecolor: background1; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">JUL</span></b></div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 2;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 3;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">DOCUMENTACIÓN</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 4;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">EXPERIMENTACIÓN</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 5;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">REFLEXIÓN Y BOCETEO</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> </tr>
<tr style="height: 13.5pt; mso-yfti-irow: 6;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: accent3; mso-background-themetint: 153; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">PLANEACIÓN</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> </tr>
<tr style="height: 13.5pt; mso-yfti-irow: 7;"> <td colspan="13" style="background: #FFC000; border-bottom: none; border-left: solid windowtext 1.0pt; border-right: solid black 1.0pt; border-top: none; height: 13.5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 395.0pt;" valign="bottom" width="527"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">CALENDARIO DE ACTIVIDADES 2012-2013</span></b></div></td> </tr>
<tr style="height: 13.5pt; mso-yfti-irow: 8;"> <td nowrap="nowrap" style="background: #C2D69B; border: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: accent3; mso-background-themetint: 153; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ACTIVIDAD</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">AGO</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">SEP</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">OCT</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">NOV</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">DIC</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ENE</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">FEB</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">MAR</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">ABR</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">MAY</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">JUN</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: none; border-left: none; border-right: solid windowtext 1.0pt; border-top: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: background1; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">JUL</span></b></div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 9;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-left: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> </tr>
<tr style="height: 12.75pt; mso-yfti-irow: 10;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 12.75pt; mso-background-themecolor: accent3; mso-background-themetint: 153; mso-border-bottom-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext 1.0pt; mso-border-right-alt: solid windowtext 1.0pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">REALIZACIÓN</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 12.75pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> </tr>
<tr style="height: 13.5pt; mso-yfti-irow: 11; mso-yfti-lastrow: yes;"> <td nowrap="nowrap" style="background: #C2D69B; border-top: none; border: solid windowtext 1.0pt; height: 13.5pt; mso-background-themecolor: accent3; mso-background-themetint: 153; padding: 0cm 3.5pt 0cm 3.5pt; width: 130.95pt;" valign="bottom" width="175"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">EDICIÓN DEL DOCUMENTO</span></b></div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.3pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.35pt;" valign="bottom" width="30"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 18.6pt;" valign="bottom" width="25"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.8pt;" valign="bottom" width="29"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: white; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background1; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 24.0pt;" valign="bottom" width="32"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><br />
</div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 22.9pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 23.45pt;" valign="bottom" width="31"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 21.25pt;" valign="bottom" width="28"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> <td nowrap="nowrap" style="background: #C4BC96; border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; height: 13.5pt; mso-background-themecolor: background2; mso-background-themeshade: 191; mso-border-bottom-alt: solid windowtext .5pt; mso-border-right-alt: solid windowtext .5pt; padding: 0cm 3.5pt 0cm 3.5pt; width: 20.25pt;" valign="bottom" width="27"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;"><b><span style="color: black; font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">X</span></b></div></td> </tr>
</tbody></table></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
<b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">FUENTES DE INVESTIGACIÓN</span></b></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">BIBLIOGRÁFICAS</span></div><div class="MsoNormal" style="line-height: 150%; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">AICHER, Otl. <u>Analógico y digital. </u>2001</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"></span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">BOURRIAUD, Nicolas. <u>Relational Aestetics</u>, Argentina, Ariadna Hidalgo Editorial.</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"></span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">B<span style="text-transform: uppercase;">urroughs</span>, William S. <b><span style="font-family: "Helvetica LT Std","sans-serif"; font-weight: normal;">La revolución electrónica</span></b><u>.</u> Argentina, 2009</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">CHRISTIAN, Paul. <u>Digital Art,</u> Singapore, Thames and Hudson, 2008.</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%; text-transform: uppercase;">Darley,</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Andrew. Cultura <u>visual digital espectáculo y nuevos géneros en los medios de comunicación</u>; 2002</span></div><div class="MsoFootnoteText" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">DUBY, Geroge, et al., <u>Sculpture, vol. 1 y 2,</u> China, ed. Taschen, 2006.</span></div><div class="MsoFootnoteText" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">HOLSWARTH, Hans, <u>100 Contemporary Artists,</u> ed. Taschen, 2010.</span></div><h1 style="margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; font-weight: normal;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; font-weight: normal;">KUSPIT. </span><u><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; font-weight: normal;">Arte digital y videoarte. Transgrediendo los límites de la representación, </span></u></h1><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">LÉVY, Pierre. <u>¿Qué es lo virtual?</u> Argentina, Paidós, 1999</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">LÉVY, Pierre. <u>Cibercultura, informe al consejo de Europa. </u>México, Anthropos, UAM, 2007</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">MADERUELO, Javier. <u>La idea del espacio en la arquitectura y el arte contemporáneos, 1960-1989</u>, España, Akal, 2008.</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">MADERUELO, Javier. <u>La pérdida del pedestal,</u> España, Circulo de Bellas Artes, 1994.</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">MAEDA, John. <u>Creative Code: Aesthetics + Computation, </u></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Singapore, Thames and Hudson.</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">MANOVICH, Lev. <u>El lenguaje de los nuevos medios de comunicación: la imagen en la era digital.</u> España, Paidós, 2005.</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-align: justify; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%; text-transform: uppercase;">Mcluhan</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">, Marshall. <u>Comprender los medios de comunicación. </u>México, Paidós, 1994</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">MICHAUD, Yves. <u>El arte en estado gaseoso</u>, México, Fondo de Cultura Económica, 2007.</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%; text-transform: uppercase;">Moreno</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">, Isidro. <u>Musas y nuevas tecnologías el relato hipermedia</u> 2002</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">SIQUEIROS ALFARO, David. <u>Como se pinta un mural,</u> México, ed. Taller Siqueiros, tercera edición, 1979</span></div><div class="MsoNormal" style="margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span class="ptbrand"><span lang="EN-US" style="font-family: Wingdings;">§<span style="font: 7pt "Times New Roman";"> </span></span></span><span class="ptbrand"><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 115%;">STOCKER, Gerfried, et al. <u>Ars Electronica 1979-2009 the first 30 years</u>, Ars Electronica, 2010.</span></span><span class="ptbrand"><u><span lang="EN-US"></span></u></span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span class="ptbrand"><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">WANDS, Bruce. <u>Art of the digital age</u>, </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Singapore, Thames and Hudson, 2007.</span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l2 level1 lfo1; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">ZUBIRI, Xavier, Espacio. Tiempo. Materia, España, Alianza Editorial 1996.</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: justify;"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">DIGITALES</span></div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;"><br />
</div><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo3; text-align: justify; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Arte en Construcción. http://www.youtube.com/user/ArteEnConstruccion </span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">“Vectorial Elevation”</span></i><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">, 2010, </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://www.vectorialvancouver.net/concept.html">http://www.vectorialvancouver.net/concept.html</a> </span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">BUCHEN, Goodwin, Virtual sculpture as Photography, Santafe NM, 2010</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://www.buchen-goodwin.com/index.html"><span lang="EN-US">http://www.buchen-goodwin.com/index.html</span></a></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"></span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">CIVANTOS, Daniel, “<i style="mso-bidi-font-style: normal;">Biggar”, </i>España,<i style="mso-bidi-font-style: normal;"> 2010</i><a href="http://www.cookingideas.es/%E2%80%9Cbiggar%E2%80%9D-una-escultura-virtual-tan-grande-que-no-cabe-en-este-mundo-20101206.html">http://www.cookingideas.es/%E2%80%9Cbiggar%E2%80%9D-una-escultura-virtual-tan-grande-que-no-cabe-en-este-mundo-20101206.html</a></span></div><div class="MsoFootnoteText" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Ebrisa online, Enciclopedia, 2010 <a href="http://www.ebrisaonline.com/p_eb_i/ShowArticle.do?articleId=80190">http://www.ebrisaonline.com/p_eb_i/showarticle.do?Articleid=80190</a></span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://benfry.com/"><span lang="EN-US">Fry</span></a></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"> Ben, </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://reas.com/"><span lang="EN-US">Casey Reas</span></a></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">, 2010, </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://processing.org/"><span lang="EN-US">http://processing.org/</span></a></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"></span></div><div class="MsoFootnoteText" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">Real Academia Española, Diccionario, España 2010, <a href="http://www.rae.es/">www.rae.es</a> </span></div><div class="MsoNormal" style="line-height: 150%; margin-left: 18.0pt; mso-list: l1 level1 lfo2; text-indent: -18.0pt;"><span lang="EN-US" style="font-family: Wingdings; font-size: 12pt; line-height: 150%;">§<span style="font: 7pt "Times New Roman";"> </span></span><span class="subtitle"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"><a href="http://sndrv.nl/"><span lang="EN-US">Sander Veenhof</span></a></span></span><span class="subtitle"><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;">, “<i style="mso-bidi-font-style: normal;">Biggar”, 2010, </i></span></span><b><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; font-weight: normal; line-height: 150%;"><a href="http://www.sndrv.nl/biggar/"><span lang="EN-US">http://www.sndrv.nl/biggar/</span></a></span></b><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 12pt; line-height: 150%;"></span></div><div style="mso-element: footnote-list;"><br />
<hr align="left" size="1" width="33%" /><div id="ftn1" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[1]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">El <b>espacio físico</b> es el espacio donde se encuentran los objetos y en el que los eventos que ocurren tienen una posición y dirección relativas. <a href="http://www.britannica.com/EBchecked/topic/557313/space">http://www.britannica.com/EBchecked/topic/557313/space</a></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"></span></div></div><div id="ftn2" style="mso-element: footnote;"><div class="MsoNormal" style="line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[2]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"> Propone los siguientes niveles de lectura en el arte digital: <i style="mso-bidi-font-style: normal;">digital technologies as a tool, digital technologies as a médium and digital technologies as inconography. </i> CHRISTIAN, Paul. </span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;">Digital Art, Singapore, Thames and Hudson, 2008. </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;">Pag. 8</span></div></div><div id="ftn3" style="mso-element: footnote;"><div class="MsoNormal" style="line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[3]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"> Javier Maderuelo menciona como atributos del género escultórico clásico los siguientes: El tema de la representación antropomórfica, el uso de materiales nobles como el mármol, oro, plata, marfil, bronce y maderas preciosas. </span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;">MADERUELO, Javier. La pérdida del pedestal, España, Circulo de Bellas Artes, 1994.</span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"></span></div></div><div id="ftn4" style="mso-element: footnote;"><div class="MsoFootnoteText" style="line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[4]</span></span></span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"> Ibid.</span><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; font-weight: normal; line-height: 115%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;"> </span></span></span></span><br />
<span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; font-weight: normal; line-height: 115%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[5]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; font-weight: normal; line-height: 115%;"> MANIFIESTO DEL REALISMO, 1920 por NAUM GABO. <a href="http://gatopistola.blogspot.com/2011/03/constructivismo-manifiesto-del-realismo.html">http://gatopistola.blogspot.com/2011/03/constructivismo-manifiesto-del-realismo.html</a> </span></div></div><div id="ftn6" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[6]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> La palabra <b>ciborg</b> (del acrónimo en inglés <i>cyborg</i>: <b>cyb</b>er (cibernético) + <b>org</b>anism (organismo), (organismo cibernético) se utiliza para designar una criatura compuesta de elementos orgánicos y dispositivos mecánicos. Diccionario de la lengua española. www.rae.es </span></div></div><div id="ftn7" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[7]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> <a href="http://www.blasttheory.co.uk/">http://www.blasttheory.co.uk</a></span></div></div><div id="ftn8" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[8]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> <a href="http://www.lozano-hemmer.com/">http://www.lozano-hemmer.com</a></span></div></div><div id="ftn9" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[9]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> </span><span class="eacep"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">Arte de modelar, tallar o esculpir en barro, piedra, madera, </span></span><span class="eabrv"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">etc.</span></span><span class="eacep"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">, figuras de bulto. </span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;">Real Academia Española, Diccionario, España 2010, <a href="http://www.rae.es/">www.rae.es</a> </span></div></div><div id="ftn10" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[10]</span></span></span></span><span lang="EN-US" style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> Benjamin Buchloh, MICHAEL ASHER AND THE CONCLUSIÓN OF MODERNIST SCULPTURE”, en Performance, Text(e)s & Documents, 1981.</span></div></div><div id="ftn11" style="mso-element: footnote;"><div class="MsoFootnoteText"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[11]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt;"> Ibíd. Pag.17</span></div></div><div id="ftn12" style="mso-element: footnote;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[12]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"> MANOVICH, Lev. EL LENGUAJE DE LOS NUEVOS MEDIOS DE COMUNICACIÓN: LA IMAGEN EN LA ERA DIGITAL. España, Paidós, 2005.</span></div></div><div id="ftn13" style="mso-element: footnote;"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"><span class="MsoFootnoteReference"><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 115%;">[13]</span></span></span></span><span style="font-family: "Helvetica LT Std","sans-serif"; font-size: 8pt; line-height: 150%;"> MANOVICH, Lev. Óp. Cit.</span></div></div></div></div>Joaku De Sotaventohttp://www.blogger.com/profile/11983556175688370630noreply@blogger.com